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Ghosts of Abu Ghraib
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All reviews for Ghosts of Abu Ghraib

    KarinaKarina Tribeca 2008: Standard Operatin ...
    by Karina in Karina on SpoutBlog
    hasn't rated it.
    Was this review helpful? [Be the first to tell us!]
    "The night before Sony Pictures Classics planned to open Errol Morris’ Abu Ghraib doc Standard Operating Procedure in two theaters the Tribeca Film Festival hosted a screening of the film, followed by a conversation between Morris and Jarhead author Anthony Swofford. Beat to the festival circuit by over a year by Rory Kennedy’s Ghosts of Abu Ghraib (which debuted at Sundance 2007 and later screened on HBO), Morris’ two-hour dissection of the Iraqi prison schedule retreads a fair bit of ground that will be familiar to anyone who has followed the scandal closely and/or seen the previous film. But where Kennedy was primarily concerned with depicting the psychological climate that led to the abuses (of both detainees and power) and their photographic documentation, Morris is more concerned with revealing the discrepancy between what those iconic photographs see " [More]
    SpoutBlogSpoutBlog Tribeca 2008: Standard Operatin ...
    by SpoutBlog in SpoutBlog on spout.com
    hasn't rated it.
    Was this review helpful? [Be the first to tell us!]
    "The night before Sony Pictures Classics planned to open Errol Morris’ Abu Ghraib doc Standard Operating Procedure in two theaters the Tribeca Film Festival hosted a screening of the film, followed by a conversation between Morris and Jarhead author Anthony Swofford. Beat to the festival circuit by over a year by Rory Kennedy’s Ghosts of Abu Ghraib (which debuted at Sundance 2007 and later screened on HBO), Morris’ two-hour dissection of the Iraqi prison schedule retreads a fair bit of ground that will be familiar to anyone who has followed the scandal closely and/or seen the previous film. But where Kennedy was primarily concerned with depicting the psychological climate that led to the abuses (of both detainees and power) and their photographic documentation, Morris is more concerned with revealing the discrepancy between what those iconic photographs see " [More]
 
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