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Gangs of New York
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Directed by Martin Scorsese
The violent rise of gangland power in New York City at a time of massive political corruption and the city's evolution into a cultural melting pot set the stage for this lavish historical epic, which director Martin Scorsese finally brought to the screen almost 30 years after he first began to plan the project. In 1846, as waves of Irish immigrants poured into the New York neighborhood of Five Points, a number of citizens of British and Dutch heritage who were born in the United States began making an open display of their resentment toward the new arrivals. William Cutting (Daniel Day-Lewis), better known as "Bill the Butcher" for his deadly skill with a knife, bands his fellow "Native Americans" into a gang to take on the Irish immigrants; the immigrants in turn form a gang of their own, "The Dead Rabbits," organized by Priest Vallon (Liam Neeson). After an especially bloody clash between the Natives and the Rabbits leaves Vallon dead, his son goes missing; the boy ends up in a brutal reform school before returning to the Five Points in 1862 as Amsterdam (Leonardo DiCaprio). Now a strapping adult who has learned how to fight, Amsterdam has come to seek vengeance against Bill the Butcher, whose underworld control of the Five Points through violence and intimidation dovetails with the open corruption of New York politician "Boss" Tweed (Jim Broadbent). Amsterdam gradually penetrates Bill the Butcher's inner circle, and he soon becomes his trusted assistant. Amsterdam also finds himself falling for Jenny Everdeane (Cameron Diaz), a beautiful but street-smart thief who was once involved with Bill. Amsterdam is learning a great deal from Bill, but before he can turn the tables on the man who killed his father, Amsterdam's true identity is exposed, even though he has concealed it from nearly everyone, including Jenny. Gangs Of New York was the first film in two years from actor Leonardo DiCaprio; ironically, it was at one time scheduled to open on the same day as Catch Me if You Can, the Steven Spielberg project that DiCaprio began filming immediately after Gangs wrapped. ~ Mark Deming, All Movie Guide
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"In episode #108, we posed a simple question: Which movie should be turned into a graphic novel? Your responses to the question became the fodder for a great con " [More]
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"In episode #108, we posed a simple question: Which movie should be turned into a graphic novel? Your responses to the question became the fodder for a great con " [More]
The_American_DreamThe_American_Dream A Positive Note About "Gangs of ...
by The_American_Dream in The_American_Dream Blog
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"To review this movie it helps actually to try to figure what it is. And it is allot of things. Part of it is like allot of Scorsese films, particularly more recent ones, in that it is another attempt at getting an Oscar. It is also a costume drama. A classic style mob movie with murdered fathers and revengeful sons. And all this with a great cast and in a richly stylized setting. Now I am going to do what " [More]
solafekxelasolafekxela I'm Gonna Miss Watching this Film
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"“That was the only time he was truly happy,” said Roky Erickson’s mother on his guitar playing. The leader of the rock band the 13th Floor Elevators struggled with drug abuse and schizophrenia, but every time he got to play, he really was happy. First time director Keven McAlester makes this clear in his documentary on the musician, You’re Gonna Miss Me. Detailing his rise and fall, the film has perfect pa " [More]
flairflair Re:Top 5 Overrated Movies
by flair in Top 5
"1) Gangs of New York (2002) As Pippin points out, in the land of overrated Scorsese, there are plenty of choices. But this represents the apogee: a meticulously researched, carefully staged, beautifully filmed, soulless, empty-headed, costume drama variation on all his other celebrations of violence. No matter how compelling the characters and intriguing " [More]
flairflair Re:Top 5 Overrated Movies
by flair in Top 5
"[quote user="pippin06"] [quote user="leeroy711"] [quote user="SkyPilot"] 3. Amelie [/quote] Boooooooooo!!! I love this one and everything else by Juenet. The rest of the list I can't disagree with but mine would look more like: 1. [More]
SkyPilotSkyPilot Top 10 Scene Stealers
by SkyPilot in Top 5
"Some of these movies are better than others, but they all share one thing in common: whenever the following actors leave the screen, you wish they'd come right back. 10. Kurt Russell: Stuntman Mike in Death Proof " [More]
leeroy711leeroy711 Re:Top 5 Overrated Movies
by leeroy711 in Top 5
"[quote user="pippin06"] leeroy, I think you are harsh on Scorsese, and he didn't only make those three flicks prior to the Departed. In the land of overrated for Scorsese, I submit Gangs of New York and The Aviator. I hate them, and they were nominated a million ti " [More]
leeroy711leeroy711 Re:Top 5 Overrated Movies
by leeroy711 in Top 5
"[quote user="SkyPilot"] Of the three Juenet films I've seen, I've liked Amelie the least. My favorite by him is Delicatessen. I'll have to see Hamburger Hill. I think part of why I like Platoon so much is that I watched it with my dad when I was 13. I wonder if love of the film " [More]
All Movie Guide Logo
Review by All Movie Guide
All Movie Guide
liked it.
Returning to Lower Manhattan's mean streets, Martin Scorsese's profoundly ambitious and engaging Gangs of New York sheds a different light on America's violent foundation myths. Embedding his signature concerns with Catholic immigrants, rival gangs, and arcane ethical codes in the spectacularly recreated squalor of the Five Points ghetto on the cusp of the 1863 Draft Riots, Scorsese's epic tale of nativist conflict, official corruption, and familial revenge is at once a precursor to his earlier Mob films and a sharp indictment of the usual American bromides about liberty and righteous conflict. From Liam Neeson's magisterial march through a baroque, torch-lit cellar to his death at the hands of Daniel Day-Lewis's eagle-eyed, fiercely charismatic "Bill the Butcher," the opening clash between Irish and "natives" is a stunning, kinetic montage of primitive violence. The U.S. military, however, is responsible for the copious blood on the streets at Gangs' tumultuous conclusion, overwhelming the archaic feud between Bill and Leonardo DiCaprio's Amsterdam and underlining the systemic bloodshed arising from Bill and his cohorts' entrenched racism and classism. Though the more intimate dimensions of the story are a mixed bag of allegorical romance and hoary Oedipal conflict involving DiCaprio, Day-Lewis and Cameron Diaz's California-dreaming thief, the visceral punch of the action scenes is occasionally matched by such quiet interludes as the flag-clad Bill's sublimely twisted disquisition on paternity and honor. A potent and thoughtful cinematic experience despite its flaws, Gangs of New York is Scorsese's most vital work since The Age of Innocence (1993). ~ Lucia Bozzola, All Movie Guide
 

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