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Fury
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Directed by Fritz Lang
Fritz Lang's first American film is a vigorous and perceptive indictment of mob law, starring Spencer Tracy and Sylvia Sidney. Katherine (Sidney) leaves her boyfriend Joe Wilson (Tracy) behind in their Midwestern hometown when she takes a job in another city. Joe is a decent, hard-working soul, who wants to save up to buy a gas station and looks forward to the future when he and Katherine can get married. A year later, Joe is driving to meet Katherine so that they can be married. Driving through a small town, Joe is stopped by a deputy sheriff waving a shotgun. Apparently there has been a kidnapping, and the fact that Joe has peanuts in his pocket circumstantially incriminates him in the crime. Joe is arrested and jailed. As Joe sits in his jail cell, the local townspeople begin to talk and whisper and spread rumors. Finally, a lynch mob forms and heads toward the jail. The mob tries to storm the jail and frustrated over their inability to penetrate the prison walls, they set the jail on fire. Joe barely manages to escape ("I could smell myself burning"), but the mob thinks that Joe has been burned to death. Behind the scenes, and with the help of his brothers, Joe tries to rig the verdict in the impending trial of the twenty-two vigilantes. ~ Paul Brenner, All Movie Guide
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SpoutBlogSpoutBlog FilmCouch #95: The Wisdom of Cr ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
1 out of 1 people found this review helpful. [What do you think?]
" " [More]
CinemaRianCinemaRian Fury (1936, USA, Fritz Lang) ***
by CinemaRian in CinemaRian Blog
hasn't rated it.
Was this review helpful? [Be the first to tell us!]
"Note: I coulnd't discuss my objection to the film without revealign the plot, including the ending. I have noted where I begin to discuss the story beyond the basic premise of the movie. One of the worst parts of being a filmgoer is watching a great movie that goes wrong. Here is a film that is clearly two in two parts. Part one is a masterpiece, and part two is stupid, unessassary, melodramtic and a waste of time. This was the first film that Fritz " [More]
RisseladaRisselada Re:Need more Noir
by Risselada in Community Recommendations
"[quote user="leeroy711"] I feel like I've recently re-discovered the noir genre. I just watched The Killing last night and I loved it. As with Fuller's Pickup on South Street. I had previously been a fan of Fritz Lang's older German movies, but now I've seen [More]
leeroy711leeroy711 Need more Noir
by leeroy711 in Community Recommendations
"I feel like I've recently re-discovered the noir genre. I just watched The Killing last night and I loved it. As with Fuller's Pickup on South Street. I had previously been a fan of Fritz Lang's older German movies, but now I've seen Fury " [More]
leeroy711leeroy711 Weekly Theme for July 14: The A ...
by leeroy711 in Weekly Theme
"I really love this theme. You have all seen these scenes from time to time in various films. Sometimes it's silly and comical such as the angry mob chasing Homer and family in The Simpsons Movie. Other times it is used to argue deeper philisophical positions like in The Ox-Bow Incident. (Henry Fonda and Wi " [More]
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Review by All Movie Guide
All Movie Guide
liked it.
Not long after he fled Nazi Germany rather than produce films for Hitler, Fritz Lang made his American debut with this powerful drama that it made clear that mob violence was not confined to his homeland. At a time when lynching was still a grim fact of life in America, Fury tackled this social evil head-on; even if MGM seems overly cautious in making both the mob and their victim white, the film's unflinching willingness to look dead-on at the ugly side of the American character is as impressive (and troubling) today as it was in 1936. Spencer Tracy delivers a typically strong "everyman" performance as the wrongfully accused Joe Wilson, and he doesn't shrink from Joe's less pleasant side in the second and third act, while Sylvia Sidney is genuinely affecting as his tormented fiancée. As Kirby and a band of local rabble trap Joe in his jail cell and then set the building alight, Lang takes the average folks of the American heartland, the sort of people that Frank Capra's populist visions were made of, and shows that a gruesome thread of hatred can be found inside them, waiting for the opportunity to come out. Sadly, this message may remain as pertinent today as it was when Fury first hit screens. ~ Mark Deming, All Movie Guide
 

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VincentPrice
VincentPrice
loved it.
rik_tod
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loved it.
leeroy711
leeroy711
loved it.
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CassieAnnette
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