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From Hell
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The true-life horror story of Jack the Ripper gets a new spin in this screen adaptation of the acclaimed graphic novel by Alan Moore and Eddie Campbell. In 1888, a ruthless and cold-blooded killer begins hunting prostitutes in East London, and while the murderer's work is savage, the mutilation of his victims suggests the fiend has an extensive medical background. Amidst a background of political unrest and barely contained scandal among the royal family, the murderer's grisly exploits shock and frighten all of England, and one of Scotland Yard's top inspectors, Fred Abberline (Johnny Depp), is put on the case, along with his partner, Peter Godley (Robbie Coltrane). Abberline, depending on one's viewpoint, is either blessed or cursed with second sight, and while he blurs his ability to see future events with opium and other drugs, he still has an uncanny ability to ferret out dangerous criminals, which is put to the test as he and Godley search for the Ripper. As Abberline and Godley investigate the neighborhood where the crimes occur, they become acquainted with the prostitutes and street people who were friends and compatriots of the victims, and Abberline finds himself falling in love with Mary Kelly (Heather Graham), a beautiful Irish streetwalker. As Abberline tries to identify the killer before Mary Kelly can become the next victim, he and Godley have to contend with Sir Charles Warren (Ian Richardson), their superior who is keen to pin the murders on a culprit who isn't British, and Sir William Gull (Ian Holm), a respected physician who has his own ideas about the murders and the benefits of psychosurgery. From Hell marked a change of pace for Albert Hughes and Allen Hughes, the sibling directorial team best known for their gritty depictions of America's urban underground in such films as Menace II Society and Dead Presidents. ~ Mark Deming, All Movie Guide
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by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"Watchmen artist Dave Gibbons seems to have no trouble riding the wave of popularity his work has received thanks to Watch-Mania here at Comic-Con. In a press conference immediately following the panel discussion where clips of the film were shown, Gibbons and the cast seemed awestruck after seeing m " [More]
JakeStevensJakeStevens Beautiful Looking Film...But...?
by JakeStevens in JakeStevens Blog
is neutral about it.
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"It's hard to discuss this film this film with an ambivalent eye. On the one hand, it's cinematically stylish with it's gothic overtones and De Palma-like long takes that may be partially inspired to the graphic novel this tale is based on (which is, of course, based on the real-life murders of Jack the Ripper in East London circa 1888). But perhaps therein lies its Achilles heel - is it too stylish for its own good? It's an average mystery-thriller-who-dunnit tarted up as a visua " [More]
squee5squee5 More Madness the Merrier
by squee5 in squee5 Blog
loved it.
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"I love this movie! It provides an indepth portrayal of the sinister London streets. And it shows the brutality and insanity of Jack the Ripper. It also has a tastey royal conspiracy hidden in the layers of the movie. " [More]
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by leeroy711 in Weekly Theme
"[quote user="SkyPilot"] Great topic leeroy! That article about Metropolis was fascinating. It got me thinking about a possible secret society that kept the complete print hidden for all of these years. I don't mean to divert the conversation away from secret societies, but I was wondering if you had a hunch as to what was missing from Metropolis? And as cool as it will be to see the complete version, I'll be interested in hearing from you after you see it, an " [More]
The_American_DreamThe_American_Dream Re:Weekly Theme for August 11: ...
by The_American_Dream in Weekly Theme
"[quote user="SkyPilot"] Which is a far cry from how interested I was in the Masons when I was about 18, when I saw From Hell. [/quote] "From Hell" is a great and creepy movie. When I first saw it I was like 'No way any of that can be true beyond the happening of the murders themselves." As it turns out allot of the facts of the movie are not far from some ev " [More]
SkyPilotSkyPilot Re:Weekly Theme for August 11: ...
by SkyPilot in Weekly Theme
"Great topic leeroy! That article about Metropolis was fascinating. It got me thinking about a possible secret society that kept the complete print hidden for all of these years. I don't mean to divert the conversation away from secret societies, but I was wondering if you had a hunch as to what was missing from Metropolis? And as cool as it will be to see the complete version, I'll be interested in hearing from you after you see it, and whether or not it's a li " [More]
All Movie Guide Logo
Review by All Movie Guide
All Movie Guide
is neutral about it.
Allen and Albert Hughes clearly studied films like Bram Stoker's Dracula and Sleepy Hollow in preparation for their own gothic costume horror, from the operatic camera work to the eye-candy fetishizing of blood and other atmospheric fluids. From Hell boasts gorgeous art direction and as comfortable a genre shift by its directors as one could imagine, given that modern inner-city dramas (Menace II Society, Dead Presidents) were their claim to fame. Although the film's moldering period look may not be trailblazing, it's handled as adroitly as Francis Ford Coppola (Dracula) or Tim Burton (Hollow) presented similar cityscapes, carriages, and cobblestone streets. The directors' own touches distinguish the effort, such as the cool use of time lapse photography to chart policemen and onlookers rubbernecking a victim over a period of hours. It's a 19th century London that's filthy and hopeless, in every respect except for the leads -- Heather Graham is too manicured for a destitute street walker, and Johnny Depp is, well, unavoidably handsome. What holds From Hell back is that even with gruesome disembowelments and sprays of arterial blood, it's never all that creepy or unsettling. Beyond a few morbid snippets of dialogue, you never get a sense of Jack the Ripper as a character, given the film's (correct) decision to cloak his identity until the end. The chosen plot is a reasonable way to address the lingering unknowns about the killer, but it keeps him at a regrettable distance. In the era of Hannibal Lecter, viewers expect a dynamic villain to haunt them after they leave the theater -- especially if it's one of history's most methodologically twisted serial killers. ~ Derek Armstrong, All Movie Guide
 

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Other opinions

i-heart-art
i-heart-art
loved it.
divinemsjunebug
divinemsjunebug
loved it.
FastBoat710
FastBoat710
loved it.
csprague
csprague
is not interested.
lopezdash
lopezdash
is not interested.
mythman
mythman
is not interested.