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For Your Consideration
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Directed by Christopher Guest
Mockumentary mastermind Christopher Guest turns his satirical eye away from dog shows, small-town theater, and folk music to offer a hilarious take on Hollywood award season in this comedy focusing on trio of actors whose lives are turned upside down when they discover that their performances in an independent film are generating a sizable buzz in the entertainment industry. Jay Berman (Guest) is in the process of directing his first feature film -- an intimate family drama set in the 1940s and detailing the tempestuous reunion of an estranged Jewish family that is reluctantly drawn together to celebrate Purim at the behest of their dying matriarch. The cast soon comes down with an infectious case of award fever when rumors on the Internet claim that "Purim" stars Marilyn Hack (Catherine O' Hara), Victor Allan Miller (Harry Shearer), and Callie Webb (Parker Posey) may be delivering Oscar-caliber performances. When "Hollywood Now" co-anchors Chuck Porter (Fred Willard) and Cindy Martin (Jane Lynch) perpetuate the buzz on national television, the entire film crew starts to see stars in their eyes. Subsequently convinced that they have a sleeper hit on their hands, unit publicist Corey Taft (John Michael Higgins), talent agent Morley Orfkin (Eugene Levy), and producer Whitney Taylor Brown (Jennifer Coolidge) immediately cave to requests from Sunfish Classics president Martin Gibb (Ricky Gervais) to alter the film so that it may appeal to a larger audience. Now, while "Purim" screenwriters Lane Iverson (Michael McKean) and Philip Koontz (Bob Balaban) are forced to watch helplessly as their original screenplay is plundered in order to cash in on the positive buzz, awards season draws near and the production takes a most unexpected turn. ~ Jason Buchanan, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
The recurring motif in all of Christopher Guest's improvised comedies is exposing self-delusional people, whether they be community-theater enthusiasts, dog owners, or musicians. Since there are few places more teeming with self-deception than Hollywood, Guest's satire For Your Consideration could be accused of shooting fish in a barrel. Many of the comedic targets (erudite, ineffectual screenwriters; selfish agents; venal marketing experts) offer little challenge for satirists this talented. Thankfully, the performers -- especially the women -- do a great job of bringing an inner life to their characters, fleshing them out in ways that add an element of tragedy to some of the stinging jokes. You laugh at the ladies, but you may be surprised by how sympathetic they are. Parker Posey captures her character's conflicted feelings about wanting to do good work and wanting adulation by underplaying those emotions, a decision that makes her all the more notable in a film where most of the actors are laying it on thick. Catherine O'Hara's final monologue can best be described as "hysterical," as it encompasses every aspect of that word. She is at the end of her emotional tether, seemingly on the verge of a complete mental collapse, and yet she still manages to get big laughs from the audience. She walks a razor-thin emotional line, and never stumbles. It is a stunning two minutes that disturb and amuse in equal measure. One is left unsure whether to laugh or cry, and this probably expresses the conflicted feelings Christopher Guest has in real life toward his love for his work and the business he disdains, but which he finds himself forced to be a part of in order to do that work. The film has many moments that are screamingly funny, especially the scenes in "Home for Purim," the movie-within-the-movie. These are the first outright scripted scenes in any of Guest's otherwise-improvised films, and they allow the cast to show off more conventional comedy chops. Just seeing Jennifer Coolidge and Ricky Gervais occupy the same frame is momentous enough to make any comedy nerd laugh out of anticipation. While For Your Consideration never reaches the consistent comedic highs of Best in Show or the profound sadness of Waiting for Guffman, it does deliver both of those elements -- often simultaneously -- making it yet another solid film from Guest and his crew. ~ Perry Seibert, All Movie Guide
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