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Follow Me Quietly
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Directed by Richard Fleischer
Lieutenant Harry Grant (William Lundigan) and Sgt. Art Collins (Jeff Corey) have been handed the unenviable assignment of tracking down "The Judge," a mysterious serial murderer responsible for seven deaths over the past few months. The police have plenty of clues and forensic evidence, but no solid leads to who this highly resourceful strangler is. Complicating Grant's work is the presence of Ann Gorman (Dorothy Patrick), an ambitious reporter for a sensationalistic crime magazine, who keeps sticking her nose into this case and into his work. In exasperation over The Judge's latest victim, a newspaper editor named McGill (Frank Ferguson), Grant decides to take a novel approach to catching the killer -- he prepares a life-size blank-faced dummy using all the clues the police have, as to height, weight, physique, preferred way of dressing etc., in order to give his officers a clearer picture of who and what they're looking for. The result is creepy but effective, and soon Grant is getting closer to the killer -- but The Judge is insane, and agitated by all manner of outside stimuli, and he might prove too much even for a police detective to deal with in a direct confrontation. ~ Bruce Eder, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
One of the neatest thrillers to come out of RKO in the late '40s, Richard Fleischer's 59-minute Follow Me Quietly was the kind of box office success that made a rare bright spot on the studio's ledger books, at a time when they were losing money by the bushel on productions such as Mourning Becomes Electra and Androcles and the Lion. Fleischer, working with a generally excellent cast and a nice, twist-laden script, keeps things moving so fast, and with such a veneer of eeriness about it, that not only does Follow Me Quietly overcome some moments of wildly illogical action, but positively revels in that action. This is nowhere truer than the bizarre scene near the mid-point in the picture when the obsessive murderer substitutes himself for the faceless dummy in the office of Lt. Grant, the lead investigator; Fleischer has maintained such an odd, off-angle tone and look to the movie up to this point, that the audience simply accepts the scene. Only the romantic subplot involving Grant (William Lundigan) and reporter Ann Gorman (Dorothy Patrick) seems predictable in these surroundings, and it is more than made up for by the overall odd, obsessive tone of the movie, and a pay-off finale at the Los Angeles refinery that manages to echo White Heat and The Naked City while giving the suspense component a twist all its own. ~ Bruce Eder, All Movie Guide
 

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