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Finally, Lillian, and Dan (2008)
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All reviews for Finally, Lillian, and Dan
Best Undistributed Films of 2008
by
Karina
in
Karina on SpoutBlog
hasn't rated it.
1 out of 1 people found this review helpful.
[What do you think?]
"I recently submitted a ballot for indieWIRE’s annual Critics’ Poll, which offers respondents a chance to create two separate lists of the best films of the year: one comprised of films which received theatrical distribution (which is described as, at minimum, a one week run in a commercial theater in New York City, essentially the same type of release required for Oscar consideration); and a list of the best films which weren’t distributed commercially in 2008––ie: those which screened only at festivals, and/or in other non-commercial venues, and/or outside of New York. Because I see so many films at festivals, I had a far greater pool of candidates for the latter list than the former. My “true” top ten list would combine films which were made readily available to audiences via studio subsidiaries (such as Synecdoche, NY and Rachel Getting Married), with films that I fell in love with at a festival and may never get a chance to see again, and with films which had the bare minimum N ... "
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Best Undistributed Films of 2008
by
SpoutBlog
in
SpoutBlog on spout.com
hasn't rated it.
Was this review helpful?
[Be the first to tell us!]
"I recently submitted a ballot for indieWIRE’s annual Critics’ Poll, which offers respondents a chance to create two separate lists of the best films of the year: one comprised of films which received theatrical distribution (which is described as, at minimum, a one week run in a commercial theater in New York City, essentially the same type of release required for Oscar consideration); and a list of the best films which weren’t distributed commercially in 2008––ie: those which screened only at festivals, and/or in other non-commercial venues, and/or outside of New York. Because I see so many films at festivals, I had a far greater pool of candidates for the latter list than the former. My “true” top ten list would combine films which were made readily available to audiences via studio subsidiaries (such as Synecdoche, NY and Rachel Getting Married), with films that I fell in love with at a festival and may never get a chance to see again, and with films which had the bare minimum N ... "
[More]
DIY Filmmaking in an Indie Apoc ...
by
Karina
in
Karina on SpoutBlog
hasn't rated it.
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[Be the first to tell us!]
"On Friday evening, I moderated a panel at the Denver Film Festival called DIY FIlmmaking in an Indie Apocalypse. I pitched the panel to the festival in the hopes that by talking to actual filmmakers who have recently made moderately successful films (mostly) independent of the system that the “sky is falling” fatalism insists is broken, we could start to expand this dialogue beyond doomcasting and push towards options and solutions. I’m not sure we repaired the ever-expanding crack in the firmament in one night, but certainly the six filmmakers who took the stage offered a new perspective on the supposed crisis. You can listen to a recording of the full panel here, but if you don’t have 73 minutes to spare, after the jump I’ve isolated what I think were five major themes of the evening. Here’s more info on the filmmakers and their films: David Pomes, director of Cook County. Jason Goodman, director and co-star of The Eternal City. < "
[More]
DIY Filmmaking in an Indie Apoc ...
by
SpoutBlog
in
SpoutBlog on spout.com
hasn't rated it.
Was this review helpful?
[Be the first to tell us!]
"On Friday evening, I moderated a panel at the Denver Film Festival called DIY FIlmmaking in an Indie Apocalypse. I pitched the panel to the festival in the hopes that by talking to actual filmmakers who have recently made moderately successful films (mostly) independent of the system that the “sky is falling” fatalism insists is broken, we could start to expand this dialogue beyond doomcasting and push towards options and solutions. I’m not sure we repaired the ever-expanding crack in the firmament in one night, but certainly the six filmmakers who took the stage offered a new perspective on the supposed crisis. You can listen to a recording of the full panel here, but if you don’t have 73 minutes to spare, after the jump I’ve isolated what I think were five major themes of the evening. Here’s more info on the filmmakers and their films: David Pomes, director of Cook County. Jason Goodman, director and co-star of The Eternal City. < "
[More]
Theatrical: Legitimizer or Kind ...
by
SpoutBlog
in
SpoutBlog on spout.com
hasn't rated it.
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[Be the first to tell us!]
"Since the conversation about internet and day-and-date distribution really started to heat up in 1995, the alternatives to theatrical distribution have seemed to only multiply and evolve, while the general perception of public exhibition has remained about the same: filmmakers like it, but in terms of bottom line, it’s only useful as an extended commercial for ancillaries such as DVD. But is that perception changing? Two related quotes of note popped up in the feeds this morning. First, Jamie Stuart at Stream: More and more independent producers and distributors with years of experience are trying to convince indie filmmakers that theatrical distribution isn’t that important…Unfortunately, the thing that most filmmakers understand — and this has nothing to do with advocating the communal experience — is that by going theatrical, the movie is given a credibility that it would otherwise not have… …does anybody believe that if the IFC Center hadn’t screened its mumblecore series in ... "
[More]
Denver Film Festival 2009 Happe ...
by
Karina
in
Karina on SpoutBlog
hasn't rated it.
Was this review helpful?
[Be the first to tell us!]
"I’ll be heading out to the Denver Film Festival on Wednesday, to sit on a jury and moderate a panel. The festival started last night, and through next Sunday they’ll be showing a ton of my favorite films from the 2008 festival circuit (like Intimidad, Guest of Cindy Sherman, Prince of Broadway, Finally, Lillian and Dan, SIta Sings the Blues, Two Lovers, and Everything is Fine), plus a number of titles that I’ve missed at over festivals but hope to catch up with (like Three Monkeys, Woodpecker, Song Sung Blue). Also, they’re doing a tribute to pioneering video/performance artist Carolee Schneemann, which is awesome. The panel I’m moderating, called
[More]
Denver Film Festival 2009 Happe ...
by
SpoutBlog
in
SpoutBlog on spout.com
hasn't rated it.
Was this review helpful?
[Be the first to tell us!]
"I’ll be heading out to the Denver Film Festival on Wednesday, to sit on a jury and moderate a panel. The festival started last night, and through next Sunday they’ll be showing a ton of my favorite films from the 2008 festival circuit (like Intimidad, Guest of Cindy Sherman, Prince of Broadway, Finally, Lillian and Dan, SIta Sings the Blues, Two Lovers, and Everything is Fine), plus a number of titles that I’ve missed at over festivals but hope to catch up with (like Three Monkeys, Woodpecker, Song Sung Blue). Also, they’re doing a tribute to pioneering video/performance artist Carolee Schneemann, which is awesome. The panel I’m moderating, called
[More]
Theatrical: Legitimizer or Kind ...
by
Karina
in
Karina on SpoutBlog
hasn't rated it.
Was this review helpful?
[Be the first to tell us!]
"Since the conversation about internet and day-and-date distribution really started to heat up in 1995, the alternatives to theatrical distribution have seemed to only multiply and evolve, while the general perception of public exhibition has remained about the same: filmmakers like it, but in terms of bottom line, it’s only useful as an extended commercial for ancillaries such as DVD. But is that perception changing? Two related quotes of note popped up in the feeds this morning. First, Jamie Stuart at Stream: More and more independent producers and distributors with years of experience are trying to convince indie filmmakers that theatrical distribution isn’t that important…Unfortunately, the thing that most filmmakers understand — and this has nothing to do with advocating the communal experience — is that by going theatrical, the movie is given a credibility that it would otherwise not have… …does anybody believe that if the IFC Center hadn’t screened its mumblecore series in ... "
[More]
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