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Far from Heaven
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Directed by Todd Haynes
Maverick director Todd Haynes embraces the look and feel of classic Hollywood melodramas of the 1950s in this period drama. Cathy Whitaker (Julianne Moore) and her husband, Frank (Dennis Quaid), are a seemingly perfect couple; living in a handsome suburban neighborhood in Hartford, CT, in 1957, Cathy and Frank have a beautiful home and two happy, healthy children, while Frank pursues a successful career in sales and Cathy cares for the home. But Cathy has begun to sense something isn't quite right in her marriage, as Frank begins working late, spending less time with her, and seems cold and distant. One day, Cathy visits Frank's work and discovers something she never expected -- her husband is kissing a man. At Cathy's urging, Frank undergoes psychotherapy, but as she tries to keep up a brave face, the emotional trauma takes a great toll on her, and she finds there are very few people she can talk with. Cathy strikes up a friendship with Raymond Deagan (Dennis Haysbert), an African-American gardener who works for the Whitakers, and as she discovers how intelligent and compassionate Raymond is, she finds herself drawn to him. However, Hartford is in many ways still a small town, and when Mona (Celia Weston) sees Cathy and Raymond alone together, it sets off a wave of vicious gossip that threatens to make the Whitakers' many secrets public knowledge. Far from Heaven premiered at the 2002 Venice Film Festival, where Julianne Moore's performance won the prize for Best Actress. ~ Mark Deming, All Movie Guide
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"It's not just a Douglas Sirk ripoff, Far From Heaven works completely on it's own. Beautiful & truly powerful it hits harder than it's predecessors. One of my favorite films from the past few years. " [More]
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Review by All Movie Guide
All Movie Guide
liked it.
Douglas Sirk became a cineaste darling for making 1950s weepies that were as passionate as they were ironic, reveling in gleaming surfaces and big emotions while telegraphing their hollow core. Todd Haynes's exquisite Far from Heaven captures the Sirk mood to perfection from the moment the first pristine images hit the screen. A reinterpretation of All That Heaven Allows (1955), with a dash of Imitation of Life (1959), Far from Heaven gets every detail right, from the well-appointed, expressively lit homes replete with imprisoning screens and shiny mirrors, the Technicolor foliage that matches the crisp '50s women's fashions, and the tasteful dissolves to Julianne Moore's Hollywood finishing-school elocution and the violin crescendo at a moment of crisis. Though Haynes nods once or twice to the camp possibilities in his retro vision, the performances in this gorgeous homage pulsate with genuine feeling. Moore shines as the content wife who resists looking through the surface of her life yet has the soul to grasp the alternatives therein, while Dennis Haysbert reveals that the noble black man also has a touch of humor along with the sensitivity and wisdom. Dennis Quaid's closeted husband cracks with anguish, but his underlying aura of white male privilege illuminates the greater suffering inflicted on Moore within the gilded society cage guarded by her pitch-perfect "best friend" Patricia Clarkson. Even with Haynes's potentially over-determined message about prejudice, Moore's fate at Far from Heaven's less-than-happy end honestly earns every tear. ~ Lucia Bozzola, All Movie Guide
 

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