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Fallen Angels
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Directed by Wong Kar-Wai
Wong Kar-Wai's Fallen Angels is a sequel of sorts to the director's 1994 U.S. breakthrough Chungking Express. Expanding on the latter's style, themes, and mood, Fallen Angels is set in the surreal milieu of urban, nighttime Hong Kong. As with the filmmaker's other features, plot takes a back seat to mood. The wisp of a narrative intercuts two story lines. The first follows a hitman (Leon Lai) who finds that the assassin's life has slowly lost its allure. Complicating his life is his beautiful contact (Michele Reis, a former Miss Hong Kong winner) who pines after him with fetishistic ardor, although the two have never met in their nearly three-year partnership. In another part of the city, He (Takeshi Kaneshiro), a mute, boyish ex-convict, makes a living by sneaking into and running businesses after hours. Still living with his father who runs the Chungking Mansions hotel, the restless Ho falls for Cherry (Charlie Yeung), a woman getting over her breakup with the offscreen Johnny. The movie follows these episodic romances almost half-heartedly as with Wong's other films, and digressionary moments attract much of the camera's distracted gaze. This visually stylish and unabashedly effusive work is considered by some critics to be the quintessential Wong film. ~ Elbert Ventura, All Movie Guide
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ShaunHustonShaunHuston At-Home: Fallen Angels (1995), ...
by ShaunHuston in ShaunHuston filmblog
hasn't rated it.
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"One reason I appreciate having Fallen Angels in our home library is that it adds another layer to Wong Kar Wai's explorations of Hong Kong.A deep seated premise of Wong's Hong Kong films is what geographer Doreen Massey [More]
HairyLimeHairyLime Fallen Angels
by HairyLime in HairyLime Blog
is neutral about it.
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"Well, after watching half of it over a month ago, and then having to wait while Netflix sent me an undamaged copy to replace it, and then not getting back to it for weeks, I finally finished watching this one. I'm a big Wong Kar-Wai fan from the few films of his that I have seen (Chungking Express, 2046, In the Mood for Love), and while this one was absolute eye candy from beginning to end, and had a few really eye popping scenes and a touch of pathos and romance here and there, this one jus " [More]
PuhnnerPuhnner fact or fiction, who is to say?
by Puhnner in Puhnner Blog
loved it.
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"The NetFlix jacket description of Fallen Angels: 'A disillusioned Hong Kong killer (Leon Lai ) embarks on what he hopes to be his last hit...all the while realizing that to truly get out of the game, he must overcome his romantic obsession with his rarely seen partner (Michele R " [More]
PuhnnerPuhnner Fact or Fiction or something mo ...
by Puhnner in Puhnner Blog
loved it.
Was this review helpful? [Be the first to tell us!]
"Here is the NetFlix jacket description of Fallen Angels: 'A disillusioned Hong Kong killer (Leon Lai ) embarks on what he hopes to be his last hit...all the while realizing that to truly get out of the game, he must overcome his romantic obsession with his rarely seen partner (Michele Reis). In a seemingly unrelated subplot, a mute ( Takeshi Kaneshiro ) tries to get the world's attention in his own unconvential way.' We shall see very soon. For a taste of the degree of " [More]
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Review by All Movie Guide
All Movie Guide
liked it.
Swathed in neon and attitude, Wong Kar-Wai's Fallen Angels is arguably the apotheosis of the Hong Kong auteur's hyper-kinetic, pop-informed style. Picking up on the stylistic flourishes and thematic preoccupations of Wong's previous feature, Chungking Express, this nocturnal movie follows a handful of restless, lonesome strangers in millennial Hong Kong. The movie, shot mainly in wide angle by long-time Wong collaborator Christopher Doyle, is a lush reverie: Wong's characters drift through the movie in various states of ruminative alienation and ennui. Despite this obsession with urban anomie, Wong's penchant for loopy coincidences and distracted doodling keeps things bittersweet rather than depressing. Dripping in romantic excess, the movie offers a fractured, wistful snapshot of fleeting youth, with MTV pyrotechnics, stylish languor, and slapdash absurdity all rolled into one cool and cohesive package. As in Wong's other features, mood and atmosphere are everything. From the smear of lights on busy city streets to the glamorously stoical disaffection of its characters, Fallen Angels never fails to be anything less than gorgeous and hip. For all its attitude, this elegiac film never lapses into winking irony, a tribute to Wong's singular capacity for romantic expression. ~ Elbert Ventura, All Movie Guide
 

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