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Erin Brockovich
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Julia Roberts stars in this legal drama based on the true story of a woman who helped win the largest settlement ever paid in a direct-action lawsuit. Erin Brockovich (Roberts) is a single mother of three who, after losing a personal injury lawsuit, asks her lawyer, Ed Masry (Albert Finney), if he can help her find a job. Ed gives her work as a file clerk in his office, and she runs across some information on a little-known case filed against Pacific Gas and Electric. Erin begins digging into the particulars of the case, convinced that the facts simply don't add up, and persuades Ed to allow her to do further research; in time, she discovers a systematic cover-up of the industrial poisoning of a city's water supply, which threatens the health of the entire community. Erin Brockovich was directed by Steven Soderbergh; Julia Roberts earned a $20 million payday for her work on the film, the highest salary paid to a female film star up to that time. ~ Mark Deming, All Movie Guide
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"As a movie, Erin Brockovitch is not at all interesting, but it is fascinating to note the reception to it. I can think of few other films that were as popular as this in its time, both among critics and audiences, that have now plunged with both. Why was this completely generic movie so popular? I think it mostly had to do with the odd turn of the century personality cult of Julia Roberts, who was at the time at the apex of her popularity. Roberts is not a bad actress, and I' " [More]
JimBellJimBell Erin Brockovich
by JimBell in JimBell Blog
liked it.
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"Erin Brockovich (2000) tells a compelling story and features some strong—and relatively weak—acting. As an “unskilled” single mother with three kids, Erin gets a job at a law firm and begins investigating a pro bono case about a utilities company poisoning citizens with he " [More]
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Review by All Movie Guide
All Movie Guide
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A crowd-pleasing, "based on true events" drama that sidesteps the usual treacly sentiment, Erin Brockovich finally gave Julia Roberts a role that capitalized on her strengths as it expanded her range, and in the process catapulted Steven Soderbergh into the highest echelon of Hollywood directors. Working from Susannah Grant's zinger-packed script, Soderbergh and Roberts portray Brockovich's crusade not as a leaden, courtroom-bound affair, but as a bustling, unpredictable journey: her everyday struggles with unreliable babysitters, reckless drivers, and unsympathetic employers are just as important as her effort to topple a corporate cover-up, and just as entertaining. Brockovich is brassy, foul-mouthed, and at times pig-headed, and there's no attempt to soften the character or bend her will to fit the saintly transformations of traditional melodrama. Instead of attempting a Meryl Streep-style disappearing act, Roberts accentuates the qualities that made her a star -- humor, empathy, confidence -- while inviting the audience to wonder if her character isn't occasionally too reactionary or short-fused. The wonderfully understated Albert Finney further emphasizes the give and take: "I really hate you sometimes," he barks, his character's respect and sympathy comically evident. Even as the film nears its preordained happy ending, Soderbergh maintains an air of unpredictability, thanks in large part to the democratic cuts of legendary editor Anne V. Coates and the unobtrusive, hazily beautiful camerawork of Ed Lachman. ~ Michael Hastings, All Movie Guide
 

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