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Effi Briest
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Rainer Werner Fassbinder's adaptation of a late 19th-century novel by Theodor Fontane is an austere period piece that may be the least characteristic of the German director's films. The titular heroine, played by Fassbinder regular Hanna Schygulla, is a 17-year-old girl forced into a loveless marriage with an old count. Living as the aristocrat's trophy wife, Effi endures her provincial existence unhappily. Her circumstances lead to a brief affair with a young lieutenant that attracts the attention of the townspeople, but not her unsuspecting husband's. Years later, however, the count discovers the love letters between his wife and her lover. As dictated by convention, he challenges the lieutenant to a duel and throws his wife out of their home. The shamed Effi is forced to live by herself, shunned by society and spurned by her family. Effi eventually returns to her unsympathetic parents, who reluctantly take in their disgraced daughter. ~ Elbert Ventura, All Movie Guide
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"[quote user="Risselada"] [quote user="csprague"] 1. Evidently the longest movie title is: Night of the Day of the Dawn of the Son of the Bride of the Return of the Revenge of the Terror of the Attack of the Evil, Mutant, Alien, Flesh Eating, Hellbound, Zombified Living Dead Part 2: In Shocking 2-D[/quote] < " [More]
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Review by All Movie Guide
All Movie Guide
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It's easy to see what attracted Rainer Werner Fassbinder to Theodor Fontane's 19th-century novel about a young woman abandoned by family and society when her adulterous past comes to light: The German director's movies frequently diagrammed the unhappy fates of individuals trapped by rigid social norms and their own unruly passions. Despite its thematic kinship with the rest of Fassbinder's oeuvre, the movie actually represents something of a stylistic break for the director. Shot in stark black-and-white -- a drastic change from Fassbinder's typically gaudy color films -- Effi Briest employs novelistic flourishes such as intertitles, voiceover narration and fades to white to tell its story. It's a deliberately Brechtian piece, using mirrors, frames within the frame and stilted blocking to impart a distanced and chilly veneer. The rigorous mise-en-scene encourages the audience's critical participation, but also serves as the perfect visual expression of the society the narrative depicts. Detached as it is, Effi Briest unabashedly invites comparisons with contemporary society, implicitly asking whether much has changed. In keeping with Fassbinder's gloomy and deterministic worldview, this exacting movie offers a pessimistic answer to that question. ~ Elbert Ventura, All Movie Guide
 

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