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Du Barry Was a Lady
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Directed by Roy Del Ruth
The racy, ribald Cole Porter musical Du Barry Was a Lady is here given a thorough dry-cleaning by prudish MGM. Richard "Red" Skelton takes over the role of Louis Blore (played on Broadway by Bert Lahr), while Lucille Ball steps into the shoes of the original play's Ethel Merman. The story proposes that Blore is a men's room attendant in a New York nightclub who has a yen for gorgeous showgirl May Daly (Lucille Ball). After drinking a potent mixture, Louis dreams that he is King Louis XV of France, and May is the magnificent Madame Du Barry. Also showing up in Louis' dream is Alex Howe (Gene Kelly), who in "real life" is the guy who ends up with May at fade out-time. It's hard to determine what's more fun to watch in Du Barry Was a Lady: the three stars, the antics of supporting player Zero Mostel, or the incredible sequence in which Tommy Dorsey & His Band -- including drummer Buddy Rich -- perform in 18th century garb and powdered wigs. Five of the original Cole Porter songs are retained for this Technicolor-ful film: "Katie Went to Haiti," "Do I Love You, Do I?," "Well, Did You Evah?," "Taliostro's Dance,", and, best of all, "Friendship." ~ Hal Erickson, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
For the first 20 or so years of its existence, "musical film" was pretty much synonymous with "lighthearted fluff." Du Barry Was a Lady fits that description exactly. Based somewhat loosely on a hit Cole Porter play, Du Barry is so light, a good breeze would blow it away, but it's a lot of fun. The plot is simply an excuse for the stars to do a number of routines, and as long as there are stars such as Lucille Ball, Red Skelton, and Gene Kelly, that's just fine. All three have a wonderful rapport, whether as a trio or in various duos, playing off of each other with skill and vigor. This is one of Ball's best film roles, exploiting her comic talent to a much greater extent than usual, and she looks beautiful. Skelton matches her in comedic technique, with his trademark befuddlement working to good effect, and Kelly is bursting with energy. The film isn't the type that allows for innovation, but it demonstrates that Kelly didn't need innovation -- he could be just as enthralling using typical musical comedy choreography. Although not an A-level musical, the costumes are witty and amusing, and the entire film has a silliness that's quite infectious. ~ Craig Butler, All Movie Guide
 

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