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Dracula [Spanish Version]
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Directed by George Melford
Filmed simultaneously (and on the same sets) as the Bela Lugosi version of Dracula, this Spanish-language version is in many ways an improvement upon the original. Whereas the English-language version (directed by Tod Browning), is stylish and atmospheric only in its first two reels, the Spanish Dracula sustains its eeriness throughout. The latter version is also more effective in emphasizing the eroticism inherent in the Stoker novel; the leading ladies, notably Lupita Tovar, are dressed (or undressed) far more provocatively than their American counterparts, while their facial expressions upon making contact with the charismatic Dracula betray a carnal yearning that the American actresses only hinted at. Moreover, the Spanish Dracula fills in several continuity gaps in the American film, especially in its detailing of the Count's journey from Transylvania to England. ~ Hal Erickson, All Movie Guide
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seelyseely Re:Which of these movie Dracula ...
by seely in Movie Polls
"I would have to go with the original Nosferatu. Max Schreck was incredibly creepy and twisted, and had none of the sex appeal bestowed on later vampires. He was truly a 'creature of the night', and not the suave over sexed vampire we see emerge after Bela Lugiosi's excellent performance. I think the silence of the film, puncuated only by the bleating, frenzied organ music really adds an element of creepy. Schreck was forced to rely on visuals to convey the derranged na " [More]
filmgal81filmgal81 Re:Which of these movie Dracula ...
by filmgal81 in Movie Polls
"Although I picked Kinski, I also wanted to give credit where credit is due to Gary Oldman. What a transformation! But Kinski's vampire was really 3 dimensional, especially since most of the other characters in that film were so flat. my favorite scenes are 1) when he is moving the coffins off of the ship with this funny little walk to the church and 2) when he is running through the deserted streets of the town, bounding and leaping with such exagger " [More]
RisseladaRisselada Which of these movie Draculas f ...
by Risselada in Movie Polls
"Please reference this thread for the rules of this group. I picked this poll for a couple reasons. 1. This conversation in the Horror Movies 101 group turne " [More]
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Review by All Movie Guide
All Movie Guide
liked it.
While Tod Browning's classic 1931 version of Dracula looks today like a creaky horror story enlivened by Bela Lugosi's mesmerizing performance, George Melford's Spanish-language version, shot at night on the same sets where Browning's Dracula was shot during the day, subtly shows how it could be a better and stronger film, even without Lugosi as the bloodthirsty Count. Melford's version is 28 minutes longer than Browning's, and most of the difference can be chalked up to atmosphere; while much of Browning's film has the slightly wooden look of a photographed stage play, Melford's compositions and camera movements give his version a more fluid grace and subtly sinister mood, and, if his film's pace is a bit slower, the result has an effectively eerie undercurrent that Browning's sometimes lacks. While much has been made of the Vampire legend's erotic undercurrent, Melford's Dracula (1931) is one of the first films to give this part of the story a fair hearing; the actresses were able to wear more revealing gowns than American censors would have permitted, and a significant bit of dialogue directly compares Dracula's spell to the loss of virginity (imagine the buzz that would have generated in an American movie house in 1931!). And most of the cast is just as good as, if not better than, their English-speaking counterparts, especially Carmen Guerrero as Lucia (Lucy), Lupita Tovar as Eva (Mina), Eduardo Arozamena as Van Helsing, and Pablo Alvarez Rubio as Renfield, whose rapt madness is even more disturbing than Dwight Frye's excellent portrayal in Browning's version. The Spanish-language Dracula (1931) suffers only when one compares Carlos Villarias's performance as Dracula to Bela Lugosi's; while Villarias is adequate, then as now, Lugosi owns the role. But Melford's Dracula (1931) is not a mere historical curiosity of the confused early days of sound, but a superbly entertaining horror story that succeeds on its own merits and serves as a fine example of the surprising things that film research and preservation can uncover. ~ Mark Deming, All Movie Guide
 

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