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Downhill Racer
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Directed by Michael Ritchie
Director Michael Ritchie's ongoing satirical spin on the American Dream is dressed up in quasi-documentary fashion in Downhill Racer. Robert Redford stars as an Olympic-grade skier, whose talent is matched only by his aloof self-involvement. As the cocksure Redford rises to the top of his class, he discards any emotional attachments that might impede his progress, ranging from girlfriends to his own father. When Redford finally attains his goal in life, the thrill of victory is an empty one indeed. The cold-bloodedness of Redford's character may have worked against Downhill Racer at the box office; on the other hand, Ritchie's similarly structured political satire The Candidate offered a "warmer" Redford -- but it, too, was a box-office disappointment. ~ Hal Erickson, All Movie Guide
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ShaunHustonShaunHuston AFI's 10 Top 10: Sports
by ShaunHuston in ShaunHuston filmblog
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"The sports Top 10 is a difficult list to assess. How many truly good sports movies are there, and I ask this as a sports fan? Raging Bull (1980) is arguably the greatest film of the 1980s, and Rocky (1976) was a little labor of love, far from the semi-joke blockbuster that it is often remembered as in lig " [More]
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Review by All Movie Guide
All Movie Guide
is neutral about it.
If any film could be described as "exhilaratingly dispassionate," Michael Ritchie's icy take on the world of professional athletics would be it. One of a pair of image-skewering films the director made with mega-star Robert Redford at the height of his popularity -- 1972's The Candidate being the other -- Downhill Racer never goes for the easy satirical punchline in its analysis of Redford's arrogant Olympic skier, David Chappellet. Instead, the movie has documentary-style snippets of his life on and off the slopes, and the ski scenes and supporting characters are conveyed with so much scruffy, propulsive realism that David -- the hub that holds them all together -- seems all the more shallow and undeserving. In the end, Ritchie and Redford expose the time-honored fallacy that a talented performer is as passionate and charismatic outside of the spotlight as he or she is in it. Although very much a piece with the late-'60s, early-'70s New Hollywood trend towards unsavory protagonists and social exposés, Downhill Racer's unflinching portrait of hollowness almost bears more in common with the empty anti-heroes of such literary works as John Updike's Rabbit novels, John Cheever's Falconer, or Jerzy Kosinski's Being There (the latter of which Hal Ashby would potently adapt for the screen in 1979). ~ Michael Hastings, All Movie Guide
 

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MovieJay
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warnworld
warnworld
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rik_tod
rik_tod
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Ateballin
Ateballin
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