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Divine Secrets of the Ya-Ya Sisterhood
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Directed by Callie Khouri
Screenwriter Callie Khouri makes her directorial debut with this adaptation of a pair of popular novels by author Rebecca Wells, Divine Secrets of the Ya-Ya Sisterhood and Little Altars Everywhere. Sandra Bullock stars as Sidda Lee Walker, a New York playwright who opens a can of emotional worms with her estranged, boozy mother, Vivi (Ellen Burstyn), when she discusses her painful childhood and particularly Vivi's less-than-enviable mothering skills in a Time magazine article. The eccentric Louisiana drama queen Vivi has already been barred from her daughter's oft-delayed wedding to her fiancé, Connor (Angus MacFadyen), so the article sends her into a rage. Coming to the rescue of the relationship are Necie (Shirley Knight), Caro (Maggie Smith), and Teensy (Fionnula Flanagan), a trio of bickering women, who, along with Vivi, formed a secret society of feminist empowerment and friendship 60 years earlier that they dubbed the "Ya-Ya Sisterhood." The Ya-Yas kidnap Sidda and bring her home to Louisiana, where they reveal to Sidda via a carefully maintained scrapbook her mother's painful past (with Vivi portrayed in flashback by Ashley Judd), effecting a rapprochement between mother and daughter. Divine Secrets of the Ya-Ya Sisterhood also stars James Garner. ~ Karl Williams, All Movie Guide
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Review by All Movie Guide
All Movie Guide
lost interest.
Another popular women's novel joins the sorority of Southern chick flicks with Divine Secrets of the Ya-Ya Sisterhood, which counts Fried Green Tomatoes and How to Make an American Quilt among its precursors. It commits few obvious gaffes, but in a genre this familiar, with such select appeal, a film needs at least one strong departure to attain distinction. Without that, it's too much of the generic recipe, equal parts regional whimsy and tepid melodrama. One problem is that the film hasn't much to do with the sisterhood in question, nor the perfunctory mysticism that binds it together. Hence, the viewer struggles to integrate this gaggle of quirky yentas into the worthier tale of mental instability passed through the generations. It's a shame that director Callie Khouri can't make better use of Ashley Judd and the risks she takes as a mother coming unglued. Instead of the incisive directness one might expect from the scribe who wrote Thelma & Louise, Khouri fumbles Judd's illness by failing to attribute it to anything concrete, generating doubt toward the character rather than a needed sympathy. Meanwhile, Khouri opts to handle the present tense in a manner just this side of broad comedy. Picky fans may quibble with other alterations to Rebecca Wells' material, such as softening James Garner's character from dysfunctional collaborator to guiltless victim. The less discriminating ones will probably be as content as need be, and savor the film's soul-searching agenda. ~ Derek Armstrong, All Movie Guide
 

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