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Deathtrap
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Directed by Sidney Lumet
Sidney Lumet provides another of his film adaptations of Broadway successes -- in this case Ira Levin's 1978 clever Broadway murder mystery that starred John Wood in a triumphant turn as down-on-his-luck playwright Sidney Bruhl. Wood's brittle airiness is replaced in the film version by Michael Caine's smoldering bitterness. Sidney Bruhl is a successful writer of Broadway mystery plays who was at one time considered the Neil Simon of Broadway mystery writers. Unfortunately, Bruhl is now struggling to live up to his own reputation, suffering through a series of four consecutive flops. But then Bruhl comes upon the manuscript of a brilliant suspense drama written by unknown writer Clifford Anderson (Christopher Reeve). Bruhl, desperate for a hit play, invites Clifford to come to see him, telling him that he is interested in collaborating with him on the play. Actually, Bruhl plans to murder Clifford and pass off Clifford's play as his own. What Bruhl doesn't know, however, is that Clifford has some surprise plot points of his own up his sleeve. ~ Paul Brenner, All Movie Guide
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JakeStevensJakeStevens A Clever Little Twister Of A Movie
by JakeStevens in JakeStevens Blog
liked it.
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"Not a bad premise. The Movie Guide review below pretty much says it all. You'll either love this film because of it's "talkie-ness" or you'll totally hate it. I'm a stage actor a lot of the time, and I could see this film being a great play, so I loved it. The ending was a little groan-worthy, but other than that, fine acting throughout and fun cinematography and editing. " [More]
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Sidney Lumet's cinematic adaptation of Ira Levin's Deathtrap is reminiscent of Sleuth. A great number of plot twists happen to very few characters in more or less a single location. Those that dislike the film will dismiss it as uncinematic, stagy, and talky. Those that admire Deathtrap will describe it as literate, claustrophobic, and tense. Both groups are correct. The film lives and dies on the strength of its performances and the quality of the gasps triggered in the audience from the shocking plot twists. Michael Caine is solid as the blocked mystery writer, Dyan Cannon does a fine hysterical routine, and Christopher Reeve is fiendishly enjoyable playing far against type. The first big surprise works beautifully, but the "big twist" at the end fails to measure up with the power of what came before. Deathtrap works more often than it doesn't, making it an enjoyable if slight experience. ~ Perry Seibert, All Movie Guide
 

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Most people
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Other opinions

discernment
discernment
loved it.
robertsmor
robertsmor
loved it.
Tizzy
Tizzy
loved it.
thunderunner
thunderunner
lost interest.
unclefestering
unclefestering
lost interest.