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Death of a President
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Directed by Gabriel Range
The assassination of the most powerful leader in the free world is examined in this controversial mockumentary from British filmmaker Gabriel Range. On October 19, 2007, president George W. Bush is visiting Chicago when he impulsively stops to shake hands with supporters en route to a meeting, while a throng of protesters demonstrate nearby. Shots ring out, and Bush is fatally wounded. As America and its allies deal with the tragic loss of their leader, vice president Dick Cheney is sworn in as the new chief executive, and while he takes the reigns of the nation and pushes new and aggressive anti-terrorism legislation through Congress, the Federal Bureau of Investigation steps into action to track down the gunman. As Secret Service agents and law enforcement officers share their thoughts on how the murder of the president could have been avoided, and people around the globe discuss how Bush's death has tipped the delicate balance of relations between the United States and the Middle East, a Syrian Muslim activist living in Chicago, Jamal Abu Zikri (Malik Bader), is charged with the murder of the president. While no "smoking gun" connects Zikri to the crime, a wealth of circumstantial evidence points to him as the gunman, and he's tried, found guilty, and executed in short order. However, lingering questions persist as some wonder if the F.B.I. found the right man with the right motives. Created using a combination of newsreel footage, computer-generated images, and newly staged material, Death of a President (aka D.O.A.P.) received the International Critics Prize at the 2006 Toronto Film Festival, despite negative reaction from many American political commentators, many of whom were deeply offended by the film's depiction of the assassination of Bush, the sitting U.S. president at the time of the picture's production and release. ~ Mark Deming, All Movie Guide
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"What a pointless movie this is. One of the most obnoxious things about liberal filmmaking is the tendency to make advocacy films that preach to the choir. What I object to in these sorts of movies is that the playing field is not fair. They pretend to be objective but are really highly biased. When I watch propaganda, I like them to rely solely on manipulative emotional imagery instead of pseudo-facts (a la Sergei Eisenstien). Even when agree with the message and find the movie interesti " [More]
chutrychutry Interesting premise
by chutry in chutry Blog
liked it.
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"Interesting mockumentary that imagines what would happen in President Bush was assassinated. More of a conspiracy thriller than an explicitly political film, although it does address the issues of tightened security after 9/11. " [More]
JJ79JJ79 Death of a President (2006)
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"Released: October 27, 2006Director: Gabriel Range*****Known more for its controversial subject than any detailed part of the plot, Death of a President focuses on a fictional assassination of President George W. Bush in Chicago following a speech in 2007. At least, that's what the movie bills itself as. Instead, " [More]
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Review by All Movie Guide
All Movie Guide
lost interest.
When conservative pundits first heard of this faux documentary, they likely thought it was some kind of hardcore partisan tactic -- or else just a sick joke. But Death of a President doesn't have nearly the political agenda you might imagine. Yes, it presents a fictitious scenario in which the actual sitting president actually gets assassinated, on a date a full year after the film's release -- which gave it an air of eerie possibility for those who saw it in theaters or soon after. Such a project was unheard of at best, in poor taste at worst. But through the fond recollections of witnesses and other involved parties, Death of a President actually manages to lionize George W. Bush more than it vilifies him, saving its sharpest implied criticisms for the teeming protestors, whose vitriol helps enable the fatal security breach. What may be even more surprising is that there isn't a hint of a wink from British director Gabriel Range. The events that transpire are entirely plausible, and are presented with an unnerving straightforwardness, often involving the controversial use of real speeches and news footage, its audio and video manipulated to the context of the film. The thing is, even though the whole shebang is carried off with total verisimilitude, aided by an anonymous cast disappearing into their roles, Range can't elevate D.O.A.P. above the level of curiosity. It's an exceedingly watchable curiosity, but not an important one. There may be the underlying implication that Bush's policies could drive a person to murderous lengths, but otherwise, Range fails to produce any discernible message. Whether that's to soften a tough sell, or owing to a lack of conviction, it's hard to say. What he ends up with is basically an elaborate gimmick, with more value as a publicity stunt than art. ~ All Movie Guide
 

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