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Dash and Lilly
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Directed by Kathy Bates
Oscar-winning actress Kathy Bates directed this made-for-cable feature inspired by the true story of one of America's greatest literary couples, Lillian Hellman and Dashiell Hammett. Hellman (Judy Davis) was an award-winning playwright whose successes included The Children's Hour and The Little Foxes, while Hammett (Sam Shepard) was a superlative mystery writer whose books inspired such classic films as The Thin Man and The Maltese Falcon. The couple met in the 1930s, while Hammett was working in Hollywood as a screenwriter. They remained together until Hammett's death from lung cancer in 1961 (never married despite the conventions of the day) in a relationship strained by Hammett's infidelity and their shared alcoholism. Dash and Lilly uses Hellman's 1950s testimony before the House Un-American Activities Committee as a springboard to look back at their relationship; both Hammett and Hellman were branded as Communists and called before HUAC, leading to a prison term for Hammett. The film also features Bebe Neuwirth as Dorothy Parker, Laurence Luckinbill as Joseph Rauh, and Mark Zimmerman as Walter Winchell. Hellman's relationship with Hammett formed one of the plot points of the 1977 biopic Julia, which starred Jane Fonda as Hellman and Jason Robards in an Oscar-winning performance as Hammett. ~ Mark Deming, All Movie Guide
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Review by All Movie Guide
All Movie Guide
lost interest.
Even if movies made for television and in particular those made for cable channels have made great strides in approaching historical subjects with some measure of sophistication and thoughtfulness, there are still holdovers from the by-the-numbers school, as evidenced by this treatment of Dashiell Hammett and Lillian Hellman's stormy 30-year relationship. Even two actors as normally nuanced as Sam Shepard and Judy Davis can't seem to add a third dimension to the predictable script by Jerry Ludwig and the timid direction by Kathy Bates. The arc of the couple's relationship is right out of A Star Is Born; as they meet, Hammett is beginning his long slide into alcoholic oblivion and Hellman her meteoric rise to glory. Casting Bebe Neuwirth as Dorothy Parker was an inspired choice, but even she seems dampened down by the proceedings. There are two moments in which the film achieves some eloquence: While Hellman is typing away on one floor of the couple's farmhouse, Hammett is ripping sheet after sheet of paper out of his typewriter; and Hellman's May 1952 speech to the House Un-American Activities Committee during the dark days of the McCarthy witch hunts. ~ Tom Wiener, All Movie Guide
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