Movie news on your iPhone today!
Advertisement
Sign in
Username   Password         Forgot password?
Wanna join? Sign up
Find movies you'll love
Cry, the Beloved Country
  • 0
  • 1
  • 2
  • 3
  • 4
  • 5
  • Rate this movie.

Rent it, watch it, find it

Advertisement
Alan Paton's classic novel about two fathers coming to terms with personal loss and the emotional scars inflicted on South Africa during the era of apartheid was brought to the screen for a second time with this adaptation, the first major film produced in South Africa after Nelson Mandela's election ended mandatory white rule in that nation. Rev. Stephen Kumalo (James Earl Jones) is a minister from a poverty-stricken farming community who travels to Johannesburg for the first time in search of his son Absalom (Eric Miyeni), who moved to the city some time back and has gone missing. Kumalo regards the big city as a den of iniquity, and his low expectations are not betrayed; he is robbed and beaten shortly after he arrives, and when he visits his brother John (Charles S. Dutton), he discovers that Absalom has become a petty thief with a pregnant girlfriend, his sister Gertrude (Dambisa Kente) is a prostitute, and John has renounced his faith in God and advocates the violent overthrow of South Africa's white leadership. James Jarvis (Richard Harris) -- a wealthy white landowner from the same part of the country as Kumalo -- has also arrived in Johannesburg, also with sad personal business to attend to; his son, a well-liked activist for the rights of the city's black majority population, was killed during a robbery. ~ Mark Deming, All Movie Guide
[More]
 
All Movie Guide Logo
Review by All Movie Guide
All Movie Guide
is neutral about it.
Moving performances by James Earl Jones and Richard Harris highlight this tale of racial discord in South Africa in 1946. The plot centers on two men -- James Jarvis (Harris), a wealthy white landowner, and Stephen Kumalo (Jones), a humble black minister -- who cross the separatist divide to confront each other after fear and mistrust cause Kumalo's son to kill Jarvis' son. Although the plot resorts to contrivances to help drive the action, the film delivers a message of hope as relevant today as it was in 1948, the year that Alan Paton (1903-1988) published the novel on which the film is based. Jones and Harris are equally brilliant in portraying men upon whom fate inflicts terrible tragedy. At times, Jones' character -- an earnest, upright Anglican pastor in the impoverished village of Ixopo -- becomes the biblical Job, abiding one seemingly intolerable setback after another as he attempts to reunite his family on a trip to Johannesburg, and Jones plays the role with great power and sensitivity. The film falters badly, though, when it asks viewers to believe that Jarvis, a confirmed separatist, can miraculously reform overnight after reading a letter written by his idealistic son before he died. The letter laments the injustice of separatism and the hypocrisy of whites who espouse Christianity but deny justice to their black neighbors. Not even Harris' intelligent performance can make Jarvis' instant rehabilitation believable. Still, the film has dignity and character, enhanced by good cinematography and a satisfactory John Barry music score. The ending of the film, when Kumalo climbs into the mountains to meet God and pray for his son, is particularly touching. ~ Mike Cummings, All Movie Guide
 

Community ratings

mavens
Spout mavens
liked it.
most people
Most people
liked it.

Other opinions

lukasblu
lukasblu
liked it.