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Crumb
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Directed by Terry Zwigoff
So well-regarded was the documentary Crumb (1994) that the failure of it and of the same year's equally acclaimed Hoop Dreams (1994) to result in Oscar nominations caused a media furor which forced the Academy of Motion Picture Arts and Sciences to revamp its documentary nomination process. Robert Crumb is a respected but controversial underground comic book artist and writer whose creations include the popular "Keep on Truckin'" and Fritz the Cat (1972). Crumb's adult subject matter includes weird sexual obsessions, social criticism, and personal, confessional observations about abnormal human psychology. The genesis and meaning of Crumb's work is explained through a series of interviews with his colleagues, former lovers, and especially family members, which reveal a horrific upbringing that has crippled both Crumb and his siblings -- but has also fueled the artist's groundbreaking work. A long-time friend of the film's subject, director Terry Zwigoff followed Crumb (1994) with another comic book-related project, Ghost World (2000), a drama based on a story from the anthology series "Eightball" by Daniel Clowes. ~ Karl Williams, All Movie Guide
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seelyseely The companion piece to 1994's " ...
by seely in seely
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"Anyone who enjoyed American Splendor would be well-advised to check out 1994's "Crumb". The film, although a documentary, is filmed in much the same style as American Splendor, or more than likely American Splendor is filmed in much the same style as Crumb. Irrergardless, it is a must-see. Har " [More]
SpoutBlogSpoutBlog 10 Best Dysfunctional Families ...
by SpoutBlog in SpoutBlog on spout.com
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"The holidays are coming, and that either means spending time with your dysfunctional family or escaping them for the movies … where you’re likely to be met by other, fictional dysfunct " [More]
RisseladaRisselada movie year countdown #1 - 2006 ...
by Risselada in Risselada Blog
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"This is my first movie review in my “movie year countdown”. To read more about that check out my first Spout filmblog entry.Art School ConfidentialI've been a fan of Terry Zwigoff as a director since Crumb. [More]
WindbreakerWindbreaker Re:What is your favorite movie ...
by Windbreaker in Movie Polls
"[quote user="Risselada"] Please reference this thread for the rules of this group. Sorry if anyone missed having a poll last week. I was incredibly busy. Well I still am, but I managed to make time this week. [More]
tadivtadiv Re:What is your favorite movie ...
by tadiv in Movie Polls
"I have seen all of them except Louie Bluie. I think I like Crumb the best. Tom " [More]
RisseladaRisselada Re:What is your favorite movie ...
by Risselada in Movie Polls
"[quote user="pippin06"] [quote user="JimBell"] Although I missed Bad Santa, I'd say Ghost World is the best. While Art School was rather straight-forward and predictable, Ghost World caught me off guard. It was somewhat like Jane Austen's Emma--I read the book thinking that Emma was the heroine, and then someone said, "Re-read the first sentence" and I realized that the author was from the get-go critical of her main character. It's a fine line to do that and not get depressin " [More]
RisseladaRisselada What is your favorite movie dir ...
by Risselada in Movie Polls
"Please reference this thread for the rules of this group. Sorry if anyone missed having a poll last week. I was incredibly busy. Well I still am, but I managed to make time this week. Ple " [More]
seelyseely Re:Short documentary on 24-Hour ...
by seely in Filmmakers Forum
"[quote user="ShaunHuston"] I teach geography and film studies at Western Oregon and am interested in the relationships between people, place, and culture. I began noticing that Portland was home to a large number of comics writers and artists and was interested in exploring why that was. Cities like Portland have been successful at attracting the "creative class", but not every city has been a magnet for this particular group. I wish I had good funding stories! I have built up " [More]
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All Movie Guide
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Filmmaker Terry Zwigoff was able to make Crumb because of his friendship with the subject, but the film is definitely not hagiography. Because much of the artist's work is so personal, any study of Robert Crumb must take into account his prickly and decidedly randy personality. Zwigoff also had a great sense of timing, catching Crumb in a bit of a mid-life crisis, as he decamps from his longtime home in California to the south of France. The energy of the 1960s which fueled some of Crumb's most celebrated art has long ago dissipated, and when Crumb convincingly disavows being identified with that tumultuous time (he hates rock music, preferring to listen to his collection of blues music on original 78 rpm vinyl), you sense that he's a man who has been out of step all his life. Rather than merely depict the symptoms of Crumb's worried mind, Zwigoff includes enormously effective interview material with two of Robert's brothers (one of whom died after film was completed). Few filmmakers are allowed that kind of privileged look into their subjects' upbringing, and the brothers' recollections of their childhood and ruminations on their blighted lives suggest that art provided Robert with a reasonably effective way of dealing with past traumas. ~ Tom Wiener, All Movie Guide
 

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