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Cookie's Fortune
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Directed by Robert Altman
Robert Altman directed this bittersweet ensemble piece about an eccentric and entangled group of family and friends living in the Deep South. Jewel Mae "Cookie" Orcutt (Patricia Neal) is the widowed matriarch of a small-town Mississippi family, which includes her nieces Camille (Glenn Close), a pretentious would-be artist staging an amateur production of Salome at a local church, and Cora Julianne Moore), her less than enthusiastic leading lady. Willis (Charles S. Dutton), the caretaker of Cookie's rambling mansion, tries to persuade her sweet but aimless grand-niece, Emma (Liv Tyler), to move in with her, but she's more interested in her on-again, off-again romance with local cop Jason (Chris O'Donnell). Typical of Altman's work, Cookie's Fortune weaves together a number of different plot lines with relaxed grace, and features an impressive cast, including Ned Beatty, Lyle Lovett, and Courtney B. Vance. ~ Mark Deming, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
A lonely widow kills herself with her friend's gun, and her daughter arranges the scene to look like a murder in order to avoid the disgracing stigma of suicide. On the surface, Cookie's Fortune sounds like pretty morose stuff, but in the hands of Robert Altman, who sets the film with the same pace as a muggy Southern afternoon, it all plays out in a leisurely, lighthearted manner. In traditional Altman style, the film is brimming with engaging characters, and the script by Anne Rapp finds humor in its Southerners without looking down on them. But because the film relies so heavily on dialogue and characterization, the plot ends up playing an unusual role. It's clear that Altman really isn't concerned with the suicide/murder case, so while the story is kept to a minimum, that's strangely still too much. In the end, Cookie's Fortune is lightweight amusement buoyed by some heavyweight performances: Dutton, Tyler, and Moore are excellent, with Close walking the line between greatness and over-the-top hysteria. It's telling that Altman would choose a film like this as a follow-up to the soggy The Gingerbread Man, which was based on a John Grisham script. It's almost like an Altman apology. ~ Skyler Miller, All Movie Guide
 

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