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Citizen Kane
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Directed by Orson Welles.
Orson Welles first feature film -- which he directed, produced, and co-wrote, as well as playing the title role -- proved to be his most important and influential work, a ground-breaking drama loosely based on the life of William Randolph Hearst which is frequently cited as the finest American film ever made. Aging newspaper magnate Charles Foster Kane (Orson Welles) dies in his sprawling Florida estate after uttering a single, enigmatic final word -- "Rosebud" -- and newsreel producer Rawlston (Phil Van Zandt) sends reporter Jerry Thompson (William Alland) out with the assignment of uncovering the meaning behind the great man's dying thought. As Thompson interviews Kane's friends, family, and associates, we learn the facts of Kane's eventful and ultimately tragic life: his abandonment by his parents (Agnes Moorehead and Harry Shannon) after he becomes the heir to a silver mine; his angry conflicts with his guardian, master financier Walter Parks Thatcher (George Coulouris); his impulsive decision that "it would be fun to run a newspaper" with the help of school chum Jedediah Leland (Joseph Cotten) and loyal assistant Mr. Bernstein (Everett Sloane); his rise from scandal sheet publisher to the owner of America's largest and most influential newspaper chain; his marriage to socially prominent Emily Norton (Ruth Warrick), whose uncle is the President of the United States; Kane's ambitious bid for public office, which is dashed along with his marriage when his opponent, corrupt political boss Jim Gettys (Ray Collins), reveals that Kane is having an affair with aspiring vocalist Susan Alexander (Dorothy Comingore); Kane's vain attempts to promote second wife Alexander as an opera star; and his final, self-imposed exile to a massive and never-completed pleasure palace called Xanadu. While Citizen Kane was a film full of distinguished debuts -- along with Welles, it was the first feature for Joseph Cotten, Everett Sloane, Ray Collins, Agnes Moorehead, and Ruth Warrick -- the only Academy Award it received was for Best Original Screenplay, for which Welles shared credit with veteran screenwriter Herman Mankiewicz. ~ Mark Deming, All Movie Guide
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ZularianZularian Non-review review #3
by Zularian in Zularian Blog
liked it.
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"I am feeling a bit grumpy at the moment so I am going to revisit the subject of my first post -- that of a director pilfering through their own material. There are a number of excellent examples of this but I am going to limit myself to two directors. The reason for this is that both of these men, Robert Rodriguez and Kevin Smith have had a very large impact on me. My current career path has been shaped largely by these directors which is why their transgressions pain me so. First, Mr. Smith. Once upon a time there was a directory who made a crappy (production-wise) little movie called Clerks. It is not a pretty movie nor is it an interesting-looking film. Clerks has very few merits except the fact that it is quite funny and original and it somehow manages to convey the joy and exuberence of it's creator. There is a quality to Clerks, a "I just wanted to make a movie" attitude that is infectious. This film feels to me to emboy the very spirit of Charles Foster Kane in Citizen Kane ... " [More]
JillHJillH Re:TOP 5 MOVIES TO TEACH AN ALI ...
by JillH in Filmgaming
hasn't rated it.
"Why not just send him The Pantheon? Annie Hall will explain our fatalistic love lives. Chinatown will depict our corrupt nature. One Flew Over the Cuckoo's Nest will serve many purposes, letting him know that we are 1)crazy 2)paranoid and 3)dictatorial. The Godfather will depict our corrupt nature... and our propensity to be loyal and uphold honor. And Star Wars will, if nothing else, give him a good laugh when he sees what we've come up with when we tried to imagine his species. That's five. I hope this alien has more than a two week trial of Netflix; we haven't even gotten to the paradoxical heartbreak of success shown in Citizen Kane. I know you're not supposed to talk about these anymore, but you've gotta go with the Pantheon here, to impress the alien with Earth's (ok, America's) high caliber of movie-making. " [More]
critick_chickcritick_chick Boring
by critick_chick in critick_chick Blog
disliked it.
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"i don't care if this is a classic i thought it sucked. it bored the crap out of me and i fell asleep twice during the movie. it wasn't funny, interesting, moving, or even good. it was just flat, dry, boring. " [More]
pippin06pippin06 Revisiting Citizen Kane for the ...
by pippin06 in Reel Thoughts
liked it.
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"What's the AFI Project, you ask? For more information, or if you just enjoy my bemused ramblings, read here: http://www.spout.com/blogs/pip pin06/archive/2008/3/1/25756.a spx Citizen Kane is on the following AFI lists: The Original Top 100 (#1)100 Movie Quotes: (#17 - Charles Foster Kane: "Rosebud.")The Revised Top 100 (#1) If there is anyone who ever waits on pins and needles for my blog entries, and if there is anyone who is interested in the blogs on the AFI Project, and if any of those people have participated with me in discussions about Citizen Kane in other groups, those people have probably been waiting on pins and needles for this entry. Har har. Granted, I doubt anyone meets any of those criteria, but the reason why I bring it up is because I have been such an outspoken...I don't want to say detractor, but, see, the AFI and many other people call Citizen Kane the greatest American film ever made. I, to say the least, disagreed. Not that I think it's a horrible movie. ... " [More]
scswngrscswngr Quit Hating on George and Steven
by scswngr in Film Obsessed
loved it.
1 out of 1 people found this review helpful. [What do you think?]
"I listened to Us Weekly staff writer Daniel Holloway's review on Indiana Jones and the Kindgom of the Crystal Skull this morning which was titled 'Indiana': Great Name, Nice Guy, Bad Movie. Daniel and Bryant Park continue to poke fun at the film and trash talk George Lucas and Steven Spielberg. Trash talking Lucas isn't a new thing, there was plenty of that going on when he helmed the new Star Wars trilogy, especially the often annoying Phantom Menace. Daniel compares Shia Lebouf's character Mutt to Jar Jar Binks and the two agree that while Lucas's original trilogies are great, he seems to lose inspiration and fall short when he makes a 4th movie. First of all, stepping back from my distaste of Jar Jar Binks (the kids seem to like him, he's an Ewok for a new generation), The Phantom Menace really wasn't all that bad. Recapturing greatness is very difficult, what that film does that Kingdom of the Crystal Skull does is bring you back to the familiar. The opening scenes of both ... " [More]
mercurialmercurial Re:Recasting RAIDERS OF THE LOS ...
by mercurial in Filmgaming
is neutral about it.
"Laurence Harvey - Indiana Jones Katherine Hepburn - Marion Ravenwood Basil Rathbone - Dr. Rene Belloq Peter Lorre - Major Arnold Toht Orson Welles - Sallah Buster Keaton - Dr. Marcus Brody Frank Puglia - Satipo Rudolph Valentino - Colonel Dietrich Ernest Borgnine - Major Eaton Circa 1950, this could actually have been made with everyone at an appropriate age to fill their roles except for Rudolph Valentino (The Sheik) who would be spot on as Colonel Dietrich except for the fact that he had already died. Laurence Harvey (The Manchurian Candidate) and Katherine Hepburn (Christopher Strong) would have that undeniably flirtatious tension between them. And what would be more fun than having Peter Lorre's (M) face being melted? Orson Welles (Citizen Kane), Basil Rathbone (The Adventure of Sherlock Holmes) and Buster Keaton (The General) were masters of the craft and could play any role. Frank Puglia (Now, Voyager) would play the bumbling local native perfectly. Lastly, ... " [More]
SpoutBlogSpoutBlog James Cameron to Make 3D Drama
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"James Cameron is the sort of director who can make a movie just to prove a point. And he’s going to do so by making a straight drama that will be shot and exhibited in 3D — or as he calls it, in stereo (short for stereoscopic) — just to let the industry know that 3D is not only for special effects and animated pictures. He discusses the project in an interview with Variety: I plan to shoot a small dramatic film in 3-D, just to prove this point, after “Avatar.” In “Avatar,” there are a number of scenes that are straight dramatic scenes, no action, no effects. They play very well, and in fact seem to be enhanced by the stereo viewing experience. So I think this can work for the full length of a dramatic feature. However, filmmakers and studios will have to weigh the added cost of shooting in 3-D against the increased marketing value for that type of film. Cameron even points out that he sees a number of films made these days that would have been really great if filmed in the format, ... " [More]
dunedonkeydunedonkey Top 5 Most Important American F ...
by dunedonkey in Top 5
hasn't rated it.
"Not my favorite. Not the best...but...The MOST IMPORTANT and WHY WAS IT IMPORTANT?Rules/Guidelines:YOU CAN'T GIVE MORE THAN 5. Five is the absolute limit.IMPORTANT means it had a profound impact on the film industry, on art, on social change, on mankind.My choices:Birth of a Nation (DW Griffith):The first American epic. It was longer than any film and invented the "feature-length" film.The single most controversial American film ever made. Some credit it with reinvigorating the KKK and inspiring a new wave of racism to take hold in the US.It proved that film could be as important a social medium as an entertainment medium.The Godfather (Francis Ford Coppola):No film epitomizes the golden age of American cinema more than this film.This film pioneered the frontier of American epics and changed the face of American filmmaking on an artistic level, giving American film it's first ever unique look and feel.Star Wars: A New Hope (George Lucas):This film redefined th ... " [More]
dunedonkeydunedonkey Top 5 Most Important American F ...
by dunedonkey in film phlegm
hasn't rated it.
Was this review helpful? [Be the first to tell us!]
"Not my favorite. Not the best...but...The MOST IMPORTANT and WHY WAS IT IMPORTANT?Rules/Guidelines:YOU CAN'T GIVE MORE THAN 5. Five is the absolute limit.IMPORTANT means it had a profound impact on the film industry, on art, on social change, on mankind.My choices:Birth of a Nation (DW Griffith):The first American epic. It was longer than any film and invented the "feature-length" film.The single most controversial American film ever made. Some credit it with reinvigorating the KKK and inspiring a new wave of racism to take hold in the US.It proved that film could be as important a social medium as an entertainment medium.The Godfather (Francis Ford Coppola):No film epitomizes the golden age of American cinema more than this film.This film pioneered the frontier of American epics and changed the face of American filmmaking on an artistic level, giving American film it's first ever unique look and feel.Star Wars: A New Hope (George Lucas):This film redefined th ... " [More]
NevermoresRavenNevermoresRaven Classic Welles, classic cinema.
by NevermoresRaven in NevermoresRaven Blog
loved it.
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"Orson Welles is noted as a legend of American cinema, as a innovator of films in general, and as a hero of the big screen even when he plays a psudeo-villian. The films follow Charles Foster Kane(Welles) as told from the view of his friends and family after his death, as a reporter embarks to discover to origin of "Rosebud" Kane's last word.The film comes across in a broken fashion because everyone seems to have different views on who Kane was, but it also allows the viewer a look into who Kane might have been. Opinions come from many a people, his ex-wife(Dorothy Comingore), his adoptive father(George Coulouris), his best friend and business consultant(Everett Sloane), and many more. The different view points give the viewer many different ways to interpret Kane as a person, but also shows a critical point missed in many films: everyone has their own point of view. This is critical because Kane is portrayed as a monster by some, and as a genius by others. Considering ... " [More]
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Review by All Movie Guide
All Movie Guide
loved it.
Widely considered the greatest American movie ever made, Orson Welles's film debut reconceived Hollywood conventions of story-telling and visual structure, suggesting the essential mystery of a person's inner self and inspiring countless filmmakers with its technical accomplishments. Already famous for his work in radio and theater, 24-year-old Welles was given complete creative freedom when RKO Pictures signed him in 1939. Co-authored with Herman J. Mankiewicz, the Kane screenplay dispensed with linear biographical narrative in favor of flashbacks recounting Kane's life from several points of view, ostensibly to solve the puzzle of Kane's deathbed utterance. Collaborating with cinematographer Gregg Toland, Welles used specially constructed sets to compose the film through a number of long takes in deep focus and high-contrast black-and-white, creating meaning through the juxtaposition of multiple actions and characters in a single take rather than through numerous edits. While the imagery and the carefully choreographed soundtrack provide clues to Kane's nature as he ages from innocent boy to corrupt magnate, he ultimately remains an enigmatic figment of memory. Kane's real-life model, however, was no mystery; newspaper baron William Randolph Hearst tried to suppress what he considered an unflattering portrait of himself. While RKO rejected an offer to reimburse their costs in exchange for burning the negatives, Citizen Kane's release was hindered by Hearst's campaign against it. Though non-Hearst papers recognized it as a vanguard work, and it was nominated for nine Oscars (four for Welles himself), Kane was not a popular hit. Despite the film's artistic approbation and subsequent wide-ranging influence, from 1940s film noir to the French New Wave to American film school grads, Welles never again had creative control in Hollywood. ~ Lucia Bozzola, All Movie Guide
 



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