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Chungking Express
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Directed by Wong Kar-Wai
A Hong Kong fast food restaurant acts as the link between two unusual stories of police officers in love in this eccentric, stylish comedy-drama. Director Wong Kar-Wai plays freely with traditional narrative structure, dividing his film into two loosely connected segments. The first centers on a depressed cop struggling to come to terms with a recent break-up. His sad isolation is transformed when he encounters a beautiful, mysterious femme fatale, whose involvement with the criminal underworld proves troublesome for both. The second story explores the odd relationship between a female restaurant worker and another recently jilted police officer. The strange woman decides to regularly clean and redecorate the man's apartment in his absence, allowing the two to form a close intimacy without meeting face to face. Both stories present a beautifully atmospheric look at modern urban life and romance, with its combination of isolation and casual, unexpected meetings. Chungking Express came to the attention of American audiences thanks to the efforts of director Quentin Tarantino, whose own brand of fractured storytelling and urban cool owes a debt to Wong Kar-Wai. ~ Judd Blaise, All Movie Guide
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SpoutBlogSpoutBlog 10 Sexiest Non-Sex Scenes
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"One of the most popular sex scenes of all time is the kitchen scene from the 1981 version of [More]
atactaatacta Chungking Express
by atacta in atacta Blog
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"I loved this film. The pairing of the very related stories is fresh, hip and alive in a way completely foreign to me. What little I know of Godard and the New Wave was in presentation here, I think. Ironically, my parents lived in Hong Kong when this film was made and I spent a good amount of time there myself. The film really captures the incredible energy of the place. The movie is very sex " [More]
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"The Midnight Expr " [More]
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scswngrscswngr Wong Kar-Wai I still love you.
by scswngr in Film Obsessed
loved it.
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"About 13 or 14 years ago I fell in love with Wong Kar-Wai and foreign film when I saw Chungking Express. my blueberry nights had me reminiscing and remember why I love this director even more than many of his intervening films have over the past decade. Although I could have done without the closing line in the film (I really though the visual spoke for itself), my bl " [More]
Smooth_JSmooth_J Re:Weekly Theme for July 6: The ...
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"[quote user="Risselada"] I love the "music video" montage in The Naked Gun to the song "I'm Into Something Good" by Herman's Hermits. I always picture it when I hear the song. Jim Jarmusch films were my introduction to Tom Waits music. Love the songs from Rain Dogs on Down by Law. The Coen brother " [More]
RisseladaRisselada Re:Weekly Theme for July 6: The ...
by Risselada in Weekly Theme
"I love the "music video" montage in The Naked Gun to the song "I'm Into Something Good" by Herman's Hermits. I always picture it when I hear the song. Jim Jarmusch films were my introduction to Tom Waits music. Love the songs from Rain Dogs on Down by Law. The Coen brothers [More]
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by Smooth_J in Weekly Theme
"In my opinion, karaoke is probably one of the most decadent and embarrassing things a drunk person can subject themselves to, but it always seems to be the only thing on their mind. I would even put sleeping with a total stranger lower on the list of bad drunk ideas, because at least somebody besides yourself gets something out of it. That said, the only movie that comes instantly to mind is Undercover Brother, and if I remember correctly, it was pretty funny. I also keep thinking of " [More]
SkyPilotSkyPilot Re:Recast ROMEO AND JULIET (1996)
by SkyPilot in Filmgaming
"[quote user="gsanchet"] Wong Kar Wai is one of my favorate directors. Chungking Express is such a beautiful movie and I'd love to see what he would do with Chinatown. ... I was going with a mix of former teen actors and new teen stars. If you notice, the two thug characters in Romeo's side are Kenan and Kel from Good Burger. I went with John Cho (I don't know why it says Parry Shen) from the American Pie and Harold and Kumar Movies. An " [More]
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"I know it's very polite on internet message boards to act like there are no standards or experts, and that subjectivity is the only way to judge a film, but sometimes subjectivity can be wrong and although you may not personally like a piece of art you need to be able to appreciate its qualities. I know this whole topic is subjective, but some of these should not be up for debate as to whether they are good or bad. The two I take exception with are [More]
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Review by All Movie Guide
All Movie Guide
loved it.
At a time when Hong Kong cinema was known more for its pyrotechnics and jaw-dropping feats of physical daring than for sensitive explorations of the human condition, Chungking Express was a revelation to both domestic and international audiences. The film swept the 1995 Hong Kong Film Academy awards and established director Wong Kar-Wai as one of world cinema's most adventurous and influential filmmakers. Ironically, Chungking Express was made on a whim when Wong had a three-month break from his famously troubled production of Ashes of Time (1994). In contrast to the somber, weighty tone of that film, Wong wanted to make a film that was light, funny, and even whimsical. Writing the script during the day while shooting at night, he allowed himself to abandon the rigid confines of conventional narrative for a looser, more thematic structure. Consisting of two similar but unrelated stories, the film details the lonely lives of four of Hong Kong's most isolated, disconnected inhabitants as they cross paths. The characters' sole commonality is Hong Kong's urban landscape, which swoons with neon-lit melancholy thanks to Australian cinematographer Christopher Doyle's eye-popping camerawork. The result is a film infused with the melancholy of random, fleeting urban encounters as it also crackles with a rare vitality, reflecting both the conflicting emotions of city life in general and the bustle and uncertainty of Hong Kong in the anxious years leading up to its 1997 handover to China. ~ Jonathan Crow, All Movie Guide
 

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