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Cheri
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All reviews for Cheri

    JimBellJimBell Cheri review
    by JimBell in JimBell Blog
    lost interest.
    Was this review helpful? [Be the first to tell us!]
    "Cheri (2009) is poorly made movie telling in a remote and detached manner the story of the love affair between a middle-aged prostitute and a spoiled young lover. We do not care much about Lea (Michelle Pfeiffer), although she seems a cut above the other courtesans. Cheri (Rupert Friend) is half her age: she is his unofficial godmother. He is a spoiled brat and womanizer, selfish and beautiful and quite immature. Now that we have characters we don’t like or care mush about, we are further distanced from their heartbreak by prominent and superficial music which contradicts the emotions we should be feeling. Having a staccato, bouncing score drown out a lover’s cries of anguish may epitomize the superficiality of the Belle Époque around 1900 in France, but it also distances the viewer. If that was not enough, we have the classic method of keeping viewers at arm’s length, the voice-over narration. The movie even ends with this narration, and I would be greatly ... " [More]
    KevynKnoxKevynKnox CHERI a film review
    by KevynKnox in KevynKnox Blog
    lost interest.
    Was this review helpful? [Be the first to tell us!]
    "(this review was first published at www.thecinematheque.com on 07/18/09) There is a shot at the very end of Stephen Frears' Chéri, where Michelle Pfeiffer stares into the camera, not a discernible speck of make-up on the 50 year old actress's face. This final shot, before the credits roll, sums up all that this film could have been, if only Frears' wasn't afraid to take his characters to the brink and back - just as Colette had done almost 90 years ago. The film's poster tagline asks us to engage in a wicked game of seduction. If only Frears had the nerve to allow us to do so. Based on the Colette novels, Chéri & The Last of Chéri and set in pre-World War I Paris, Frears has the great opportunity to delve into the biting, acerbic mannerisms of said Parisian society just as he and screenwriter Christopher Hampton had done so shrewdly with their eighteenth century-set Oscar-winning Dangerous Liaisons some 20 years ago. Unfortunately for us and for the actors ... " [More]
 
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