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Chelsea on the Rocks
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All reviews for Chelsea on the Rocks

    KarinaKarina Chelsea On The Rocks NY Debut N ...
    by Karina in Karina on SpoutBlog
    hasn't rated it.
    Was this review helpful? [Be the first to tell us!]
    "Anthology Film Archives regretfully announces that it will not be able to open the new feature CHELSEA ON THE ROCKS for its premiere engagement, which had been scheduled to screen daily from March 20 to 26. Anthology has been informed that the distributor with whom it booked the film, Empire Film Group / Hannover House, has decided not to, or is unable to, follow through on its plans to represent the film. The producers have thus canceled the engagement despite the prior commitment for the NY Theatrical Premiere which was announced by Anthology. Citing contractual reasons, the producers have declined to honor this commitment. An (all-too-rare) Reeler post informs us that Abel Ferrara’s Chelsea Hotel documentary Chelsea on the Rocks, which we covered at Cannes, has been pulled from its planned one week run at Anthology Film Archives later this month. What could they mean by “contractual obligations”? A “misplaced” (or more likely, never obtained) release? Complaints from the people ... " [More]
    SpoutBlogSpoutBlog Cannes Diary: Men on the Margins
    by SpoutBlog in SpoutBlog on spout.com
    hasn't rated it.
    Was this review helpful? [Be the first to tell us!]
    "“Freud’s ultimate impulse, the reason why he did all his creative work, was to get laid –– which is ultimately a highly creative act.” That’s a quote from Nick Nolte, pulled from Nick Nolte: No Exit, Tom Thurman’s experimental, quasi-existential documentary on the actor, his inner life, and his somewhat incredible journey from one dubious achievement to another: first PEOPLE Magazine’s Sexiest Man Alive, then, just ten years later, star of the most mockable celebrity mug shot in recent history. (It’s the latter achievement that seems to give Nolte greater pleasure––the mug shot is prominently displayed in a laugh-out-loud bizarre flash intro on his official website.) The nature of the quote––its balance between absurdity and plausibility, its revision of history through the lens of impulse––makes it seem like it just as well could have been housed by Abel Ferrara’s Chelsea on the Rocks, the other film I saw on my last day of screenings in Cannes. In addition to sharing an interest ... " [More]
    SpoutBlogSpoutBlog Chelsea On The Rocks NY Debut N ...
    by SpoutBlog in SpoutBlog on spout.com
    hasn't rated it.
    Was this review helpful? [Be the first to tell us!]
    "Anthology Film Archives regretfully announces that it will not be able to open the new feature CHELSEA ON THE ROCKS for its premiere engagement, which had been scheduled to screen daily from March 20 to 26. Anthology has been informed that the distributor with whom it booked the film, Empire Film Group / Hannover House, has decided not to, or is unable to, follow through on its plans to represent the film. The producers have thus canceled the engagement despite the prior commitment for the NY Theatrical Premiere which was announced by Anthology. Citing contractual reasons, the producers have declined to honor this commitment. An (all-too-rare) Reeler post informs us that Abel Ferrara’s Chelsea Hotel documentary Chelsea on the Rocks, which we covered at Cannes, has been pulled from its planned one week run at Anthology Film Archives later this month. What could they mean by “contractual obligations”? A “misplaced” (or more likely, never obtained) release? Complaints from the people ... " [More]
    KarinaKarina Cannes Diary: Men on the Margins
    by Karina in Karina on SpoutBlog
    hasn't rated it.
    Was this review helpful? [Be the first to tell us!]
    "“Freud’s ultimate impulse, the reason why he did all his creative work, was to get laid –– which is ultimately a highly creative act.” That’s a quote from Nick Nolte, pulled from Nick Nolte: No Exit, Tom Thurman’s experimental, quasi-existential documentary on the actor, his inner life, and his somewhat incredible journey from one dubious achievement to another: first PEOPLE Magazine’s Sexiest Man Alive, then, just ten years later, star of the most mockable celebrity mug shot in recent history. (It’s the latter achievement that seems to give Nolte greater pleasure––the mug shot is prominently displayed in a laugh-out-loud bizarre flash intro on his official website.) The nature of the quote––its balance between absurdity and plausibility, its revision of history through the lens of impulse––makes it seem like it just as well could have been housed by Abel Ferrara’s Chelsea on the Rocks, the other film I saw on my last day of screenings in Cannes. In addition to sharing an interest ... " [More]
 
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