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Chaos
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Directed by Coline Serreau
In this satirical comedy drama from France, white-collar workaholic Paul (Vincent Lindon) and his high-strung wife Helene (Catherine Frot) are driving to a party one evening when a young woman leaps into the path of their car, crying for help. Paul refuses to let her into the car, and soon several men catch up with the woman and begin beating her savagely. Paul insists on staying out of the matter, but Helene feels some sense of responsibility for what happened, and begins spending most of her time at the hospital where the woman remains unconscious. In time, it's determined that the woman's name is Noémie (Rachida Brakni), she's 22 years old, and works as a prostitute. By this time, Helene has become obsessed with protecting Noémie, and when a strange man (Wojtek Pszoniak) attempts to sign her out of the hospital, claiming he's her uncle, Helene sneaks Noémie out posing as a nurse and takes her to her mother-in-law's country house to recover. Eventually, Noémie is well enough to tell her harrowing story -- she was brought to France from Algeria by her father, along with her sister, and fell into life as a streetwalker shortly after learning that her family had sold her hand in marriage her to a man back in Algeria. Director Coline Serreau shot Chaos using digital video equipment -- and was impressed enough with the experience that she announced she had no interest in shooting on 35 mm film ever again. ~ Mark Deming, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
For the first two-thirds of this movie, writer-director Coline Serreau gives us an entertaining social critique that maintains a comic tone while making valid points about the psychological and physical abuse of women. The film has a serious message, but Serreau leavens it with enough humor and wry insights into her characters to keep her story from getting too heavy handed. Also, she balances the satire with moments that have emotional resonance; one example is the uncomfortable silence as a mother tries to form an emotional connection with her disinterested son in a cafeteria. Unfortunately, the film loses its comic tone when it takes a lengthy narrative digression into Noémie's (Rachida Brakni)'s background story. It feels almost as if a different movie was inserted into this one, and the story becomes a ham-fisted and somewhat far-fetched tale of a woman getting back at her one-dimensional, dehumanized male oppressors. The performances are still good and Serreau does manage to generate sympathy for the female characters, but her message might have been more compelling if it had been more subtle. ~ Todd Kristel, All Movie Guide
 

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