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Catch-22
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Directed by Mike Nichols
Director Mike Nichols and writer-actor Buck Henry followed their enormous hit The Graduate (1967) with this timely adaptation of Joseph Heller's satiric antiwar novel. Haunted by the death of a young gunner, all-too-sane Capt. Yossarian (Alan Arkin) wants out of the rest of his WW II bombing missions, but publicity-obsessed commander Colonel Cathcart (Martin Balsam) and his yes man, Colonel Korn (Henry), keep raising the number of missions that Yossarian and his comrades are required to fly. After Doc Daneeka (Jack Gilford) tells Yossarian that he cannot declare him insane if Yossarian knows that it's insane to keep flying, Yossarian tries to play crazy by, among other things, showing up nude in front of despotic General Dreedle (Orson Welles). As all of Yossarian's initially even-keeled friends, such as Nately (Art Garfunkel) and Dobbs (Martin Sheen), genuinely lose their heads, and the troop's supplies are bartered away for profit by the ultra-entrepreneurial Milo Minderbinder (Jon Voight), Yossarian realizes that the whole system has lost it, and he can either play along or jump ship. Though not about Vietnam, Catch-22's ludicrous military machinations directly evoked its contemporary context in the Vietnam era. Cathcart and Dreedle care more about the appearance of power than about victory, and Milo cares for money above all, as the complex narrative structure of Yossarian's flashbacks renders the escalating events appropriately surreal. Confident that the combination of a hot director and a popular, culturally relevant novel would spell blockbuster, Paramount spent a great deal of money on Catch-22, but it wound up getting trumped by another 1970 antiwar farce: Robert Altman's MASH. With audiences opting for Altman's casual Korean War iconoclasm over Nichols' more polished symbolism, the highly anticipated Catch-22 flopped, although the New York Film Critics Circle did acknowledge Arkin and Nichols. Despite this reception, Catch-22's ensemble cast and pungent sensibility effectively underline the insanity of war, Vietnam and otherwise. ~ Lucia Bozzola, All Movie Guide
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civexcivex Catch-22
by civex in civex Blog
liked it.
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"Directed by Mike Nichols, the screenplay by Buck Henry is totally brilliant. The novel by Joseph Heller is itself brilliantly written, with nuances and subtleties many readers miss. Henry caught the gist of the novel and got it on screen, using the device of returning again and again to an airplane with a scene we don't fully see, showing us a little more each time, then fading to white as we get the voice over of the next scene. We get the circularity of the novel and the scattered sanit " [More]
RisseladaRisselada Catch-22
by Risselada in Risselada Blog
loved it.
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"Catch-22Would I have liked this as much if I hadn't read the book? That's hard to say.In some situations where you've read the book before you see the movies, you sense that you would have liked the movie more if you hadn't. Sometimes you get the sense that you would have liked the movie less. And it doesn't seem to have anything to do with how much you actually liked the bo " [More]
HairyLimeHairyLime Post Oscar Breakdown
by HairyLime in HairyLime Blog
loved it.
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"Kudos to Alan Arkin - complete surprise in this category, but an often underappreciated actor (my favorite Alan Arkin roles: Grosse Pointe Blank, Wait Until Dark, Catch 22, [More]
HairyLimeHairyLime M*A*S*H
by HairyLime in HairyLime Blog
loved it.
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"In a discussion group recently the topic of 'book adaptations' has been brought up, and while I was watching this last night it occurred to me that this one is another good example of a successful 'book to movie' transformation that is neither too literal of a rote retelling, and stands on its own as a film.Caught the final third of this one a couple weekends ago while flipping channels, and then watched the rest of the movie yesterday evening. Not the first time I' " [More]
RisseladaRisselada Re:Weekly Theme for May 25: The ...
by Risselada in Weekly Theme
"Buffalo Soldiers is a fantastic one! It's about how people always need to be at war. In this army, when there is no war going on to fight externally, people create their own internal wars. It didn't get much distribution since it premiered like right after 9/11 so a lot of theaters wouldn't play a movie that seemd to be criticizing our army. Merc, you mentioned [More]
TheWorkingDeadTheWorkingDead They Got It Right
by TheWorkingDead in The Film Library
"Until fairly recently, I've been known to have a knee-jerk, negative reaction to films based on books I love. Hell, even books I mildly dislike would usually rate better with me than the film version, and not always based on pure quality. A lot of that was snobbishness, a way to feel superior by telling myself the experience I had was better than the one most people in the theatre had. Of course, I've lightened up a bit, and now tend to go the other way. Where once a filmmaker changin " [More]
RisseladaRisselada Re: Top 5 'Fight The Power' Movies
by Risselada in Filmspotting
"Brazil. Mr. Smith Goes To Washington. The Shashank Redemption. Catch-22. One Flew Over the Cuckoo's Nest. [More]
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Review by All Movie Guide
All Movie Guide
is neutral about it.
No film could do complete justice to Joseph Heller's acclaimed novel, which in the early 1960s provided a prescient shorthand for an era of official duplicity. But writer Buck Henry's adaptation is faithful to the book, and director Mike Nichols pulls no punches. This biting black comedy and military satire is comparable in some ways to Robert Altman's MASH, if not quite as funny. The story follows Heller's anarchic structure so closely that at times a viewer can get lost. The fine cast reads like a roster of popular late 1960s male stars, including Alan Arkin, Martin Balsam, Jon Voight, Richard Benjamin, Martin Sheen, and Henry himself. ~ Michael Betzold, All Movie Guide
 

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