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Carry on Spying
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Directed by Gerald Thomas
Britain's long-running (some would say interminable) series of "Carry On" comedies managed to satirize virtually every film genre ever conceived over three decades. Since espionage dramas were hot in 1964, it was inevitable that the unwary world would be treated to Carry on Spying. The "maguffin" in this yarn is the top-secret Formula X, which has been pilfered by that insidious organization S.T.E.N.C.H. (Society for Total Extinction of Non-Existent Humans). Enter the heroes, the men and women of British Operational Security--better known as B.O.S.H. The good guys are understaffed, thus novice agent Kenneth Williams is put in charge of smashing the evil machinations of Dr. Crow (Judith Furse) and The Fat Man (Eric Pohlmann). The level of wit in Carry on Spying is sustained by the character name of leading lady Barbara Windsor, who plays the delectable Daphne Honeybutt. ~ Hal Erickson, All Movie Guide
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aidanbrackaidanbrack Top 5: Carry On Films
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"The Carry On series are a British institution and one of my guiltiest pleasures. Unashamedly low-brow, they are packed with terrible puns and wonderfully hammy performances. I first discovered the series of films when I was in elementary school and they have remained favourites ever since. I certainly would never claim that they were great or even particularly good films, but the cheeky humour and (in the later years) heavy use of innuendo amused me and fundamentally affected my sense " [More]
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Gerald Thomas' Carry on Spying (1964) was one of the earliest big-screen satires of the James Bond movies, appearing in the same year as Goldfinger. Otherwise, it isn't significantly better than the rest of the Carry On series, except in two small but important respects. First, there are moments in the movie where Thomas gets into some very clever parodies of the thriller genre: In the credit sequence, as the enemy agent disguised as a milkman enters the top secret laboratory, there's a wonderful extended tracking shot as the camera follows him down the corridors that is as good as the conventions of the standard spy film; and in the first scene on the streets of Vienna at night, we suddenly hear zither music and see an old bearded man wandering down the street selling his wares, as Bernard Cribbens' fingers pop out through a manhole cover and lift it off. That brings us to the other element that distinguishes this from the other Carry On movies, the presence of Bernard Cribbens. He's funny just sitting there reacting with the tiniest flick of an eye-lid to Kenneth Williams' antics, and his every expression is worth taking in. Otherwise, there are the usual Carry On gags, tailored for the espionage subject matter, most of them as old as the hoariest vaudeville and music hall routines, and a few nods to the Bond films. Thanks to its being a James Bond parody, there are also probably a few more jokes about Barbara Windsor's anatomy than is typical in a movie this early in the series, but otherwise there's nothing different here from the other early '60s titles in the Carry On movies. ~ Bruce Eder, All Movie Guide
 

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