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Carefree
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Directed by Mark Sandrich
It's more Ginger Rogers than Fred Astaire, and more comedy than singing and dancing in this Astaire-Rogers entry into the screwball comedy sweepstakes which features a top-of-the-line Irving Berlin score (Change Partners, I Used to be Color Blind, The Night is Filled with Music). Fred Astaire plays Dr. Tony Flagg, a psychiatrist, who enters the psyche of Amanda Cooper (Ginger Rogers), a radio singer whom Tony's friend Stephen Arden (Ralph Bellamy) takes to see him. It seems Arden thinks that Amanda needs psychiatric help since she can't reach a decision regarding Stephen's proposal of marriage to her. As Tony explores her subconscious dream life, she falls in love with him. Tony feels that her love is temporary -- merely a sign of transference. To channel her love in the right direction, Tony hypnotizes her to believe that she is in love with Stephen. But then things become more complicated when Tony comes to realize that he, in fact, is in love with Amanda himself. He now has to figure out a way to bring her out of her hypnosis and get her back to normal so that they can both fall into the clinch. ~ Paul Brenner, All Movie Guide
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Review by All Movie Guide
All Movie Guide
lost interest.
The Astaire-Rogers unit at RKO deserves credit for trying something different with Carefree. By 1938, the duo's pictures had fallen into a repetitious formula, and this film attempted to alter that formula a bit. As a result, there's less music and more comedy, less emphasis on Fred and more on Ginger, the suburbs substitute for the City, and Ginger (at least initially) chases Fred. Unfortunately, rather than making the film seem fresh, this all makes it seem disjointed; the pieces just don't fit together as naturally as they should. The dialogue is also not strong enough, a crucial factor when there's less music to enjoy. Irving Berlin's mini-score is quite good, with "Change Partners" a standout, and the "I Used to Be Colorblind" sequence is memorable, slow-motion photography and all. Astaire still gets a big dance solo, displaying his facility with a golf club; it's entertaining, but not his best. His performance overall is fine, but this time it's Rogers who gets to shine. Her drunken binge is especially noteworthy, a beautifully calibrated comedy. Carefree is fun and enjoyable, but one (perhaps unfairly) expects more from the screen's most celebrated dance team. ~ Craig Butler, All Movie Guide
 

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ktredshoes
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