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Cannibal Holocaust
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Directed by Ruggero Deodato
While Umberto Lenzi began the Italian-made cycle of brutal Amazonian cannibal horrors with Il Paese del Sesso Selvaggio and effectively ended it with the nauseating Cannibal Ferox, it was Ruggero Deodato who directed the subgenre's most enduring film. This popular bloodbath features a fetus ripped from a woman's body, people impaled on spikes, a genuine tortoise-flaying, and numerous other indignities, both real and simulated. The plot concerns the efforts of a group of American explorers to discover the fate of a missing documentary film crew. They receive a scratchy film-reel containing the bloody truth from a tribe of tree-dwelling natives, and the reel's contents make up the bulk of the film. Advertisements claimed that "the crew who filmed it were actually devoured alive by cannibals," yet most of them were spotted alive in future unsavory gore films. While the film is undoubtedly gruesome enough to satisfy fans, its mixture of nauseating mondo animal slaughter, repulsive sexual violence, and pie-faced attempts at socially conscious moralizing make it rather distasteful morally as well. The fact that the film's sole spokesperson for the anti-exploitation perspective is played by porno star Richard Bolla should give an indication of where its sympathies lie. ~ Robert Firsching, All Movie Guide
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by Macabre_FilmNut in Macabre_FilmNut Blog
loved it.
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"Not sure, who on here is fans of director "Ruggero Deodato". The godfather of the whole Cannibal genre(Cannibal Holocaust (1979)) and such great Exploitation flicks ( La casa sperduta nel parco a.k.a The house on the edge of the park). According to something posted on Twitch, it looks like Deodato is back in the saddle again with the whole cannibal genre. [More]
glowbuggglowbugg Interesting...
by glowbugg in glowbugg ramblings
liked it.
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"Okay, I bought into all the hoopla that this film has generated over the years and finally decided to see it in it's original "glory" as it was intended back in the 80's (Netflix states that it came out in 1985). Very interesting on many levels. Brutal to say the least. My first impression was the whole Blair Witch comparison, and then on to the live animal killings. Not really my cup of tea (thankful for fast forward), but I can understand the neccesity of it. The whole docume " [More]
azgukiazguki A bit disappointing
by azguki in azguki Blog
lost interest.
Was this review helpful? [Be the first to tell us!]
"From all of the hype I heard about this, I expected it be a hell of a lot scarier than it actually was. The pure amateurishness (is that a word) of the whole thing left me unimpressed. The butchering of the turtle was just gross. It wasn't cool gross, just gross. Not the fun, "Oh my god, did you just see that?!?, gross. Only throw-up-my-popcorn gross. Thank god this was before PETA! Was this before PETA? Anyway " [More]
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loved it.
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"After having watched a fair number of Italian zombie films I assumed I had seen harshest of their harshest. I could not have been further from the truth. I do agree with Dr.Gor on the Inspiration part to the Blair Witch Project. However this left one hell of impact. I can say that the scenes in this film hit you on a deeper level. I was a bit shaken....and stirred. Again it should be understood that this is not for everyone, but for those that can handle it, Canniba " [More]
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by Dr_Gor in HORROR MOVIES 101
"OK... on with my 'rant'... We have already talked about the older 'Italian Amazon Cannibal Movies' and how they used ACTUALL KILLING of SEVERAL animals, just for effect! Just to make it more 'realistic'! These are VERY brutal 'on screen' actuall killings of several different types of animals! "Canniba " [More]
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by Dr_Gor in HORROR MOVIES 101
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by Dr_Gor in HORROR MOVIES 101
""Pet Sematary" was a highly underrated movie and was actually BETTER than the book! (a rarity!) in my opinion. As for "Cannibal Holocaust", I think it should be pointed out that the turtle, as well as the muskrat and the caimen that gave thier lives for this movie were a " [More]
All Movie Guide Logo
Review by All Movie Guide
All Movie Guide
disliked it.
Everything you've heard about Ruggero Deodato's nauseating Grindhouse classic is true; and while it's hard to defend the director for some of the truly repugnant visuals with which he has chosen to convey his message, there is indeed an underlying point to the film, if one is able to look beyond the sometimes unwatchable images that assault the viewer. At one point in the film, a character makes a comment about Western media junkies living to have their senses raped, and in an age where television viewers bear witness on a weekly basis to such acts as game show contestants eating horses' eyeballs to win cash, this sentiment couldn't ring more true. It seems that some of these images shouldn't be as effective as they are over 20 years after the film's initial release, though the animal cruelty, combined with the other unspeakable atrocities that the protagonists commit, ultimately results in a film that does indeed rape the senses of the viewer in a nearly (some might argue entirely) unwatchable manner. While livestock farming and mass consumption has successfully taken the dirty work out of life as a carnivore for most people, many never see the faces of the animals they so readily consume without a second thought. The idea of death and mutilation is so far removed that it's easy to eat meat for one's entire life and never have to witness firsthand the slaughter of the animals one consumes. The actual onscreen killing of animals in this film is almost unforgivable upon initial reaction, though they were (with a few exceptions) consumed in true hunter-gatherer tradition. However, the treatment of the natives by the so-called "documentarians" who set out to expose their "primitive" lifestyles is unforgivable (even though conveyed by use of special effects); it is truly the most horrifying aspect of this film when one stops to consider the results of colonialism and the manner in which many modern societies have arrived at their current states. By the end of the film, the violent (literally and aesthetically) images leave viewers with an unshakable sickness that they won't soon forget. Composer Riz Ortolani's score effectively moves from a familiar, somewhat pensive melody into harsh tones that make viewers actually feel the violence they bear witness to onscreen. This is not a film that is watched, it is a film that is endured, and audiences that have any doubts about their ability to do so are best advised to follow their instincts. ~ Jason Buchanan, All Movie Guide
 

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Dr_Gor
Dr_Gor
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