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Directed by Atom Egoyan
Atom Egoyan casts himself as the lead character in Calendar. He portrays a shutterbug who brings an array of different women to his apartment. Every time one of the women makes a phone call, the character notices a calendar consisting of photographs he took while in Armenia. The film flashes back to the time he took each of the photos. Traveling through Armenia with his wife, he does not share his wife's interest in the history behind the locations he is photographing. The wife eventually leaves him, and the film ends with him attempting to end their estrangement. This project began after Egoyan, whose ancestors were Armenian, was awarded the Special Jury Prize at the Moscow Film Festival for his 1991 film The Adjuster. ~ Perry Seibert, All Movie Guide
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Review by All Movie Guide
All Movie Guide
liked it.
In scene after scene, a lovely woman excuses herself on cue from the table and begins speaking on the phone in a foreign tongue. Her male companion begins to write, seemingly stimulated by the chatter. The repetition of erotic ritual plays a role in most every Atom Egoyan feature, but Calendar most thoroughly explores this wellspring. The source in this case is a calendar of photographs of Armenian churches, or, more precisely, the relationship between photographer and translator (Egoyan and Arsine Khanjian). Calendar is a tiny masterpiece with cinematography that does justice to the Armenian film which influenced Egoyan, the ravishing The Color of Pomegranates. ~ Brian Whitener, All Movie Guide
 

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