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Brute Force
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Directed by Jules Dassin
Burt Lancaster had one of his first starring roles in this hard-hitting prison drama. Capt. Munsey (Hume Cronyn) is a cruel, corrupt prison guard who has his own less-than-ethical ways of dealing with inmates, enough so that Joe Collins (Lancaster) -- the toughest inmate in the cell block -- has decided to break out. Collins tries to persuade Gallagher (Charles Bickford), the unofficial leader of the inmates and editor of the prison newspaper, to join him, but Gallagher thinks Collins' plan won't work. However, Collins does have the support of his cellmates, most of whom, like himself, wandered into a life of crime thanks to love and good intentions. Tom Lister (Whit Bissell) was an accountant who altered the books so he could buy his wife a mink coat. Soldier (Howard Duff) fell in love with an Italian girl during World War II and took the rap for her when she murdered her father. Collins pulled a bank job to raise money to pay for an operation that could possibly get his girl out of a wheelchair. And Spencer (John Hoyt) made the mistake of getting involved with a female con artist. After Munsey drives Tom to suicide and prevents Gallagher from obtaining parole, Gallagher joins up with Collins and his men in the escape attempt. Director Jules Dassin would next direct the influential noir drama The Naked City; six years later, he would move to Europe after political blacklisting prevented him from continuing to work in the United States. ~ Mark Deming, All Movie Guide
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"I got this idea from watching The 400 Blows this weekend. It only took me about 5 minutes to come up with a pretty long list of films that have to do with being incarcerated in some sense. Some films use this setting as the backdrop of some grave injustice such as false accusation such as Jim Sheridan’s fantastic film, [More]
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Review by All Movie Guide
All Movie Guide
liked it.
Although dismissed by auteur critic Andrew Sarris for its social commentary, Jules Dassin's masterful noir, which more than lives up to its title, is a wildly stylized tour of a prison in which the inmates are running the asylum. Still one of the harshest and grimmest of all noirs, it places a young, magnetic Burt Lancaster in a dungeon-like environment apparently just this side of Transylvania. Contrary to expectation, the prisoners are an amazingly soulful lot, with a dubiously high proportion doing time as a result of what they did for love. And they're models of mental health compared to the staff, which includes a shaky warden, an alcoholic doctor, and Hume Cronyn, as the indelibly fascistic guard, Capt. Munsey. The hounding of a stool pigeon into a steam press by blowtorch-bearing cons is typical of the facility's daily recreation. While some of the speechifying can be tedious, and the filmmakers have clearly loaded the dice in favor of the inmates, the character of Munsey remains a compelling portrait of a grotesquely authoritarian personality. Miklos Rosza's brooding score and William H. Daniels' moody photography are vital elements in the film's impact. ~ Michael Costello, All Movie Guide
 

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