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Bride Wars (2009)
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All reviews for Bride Wars
Clothes to the Future. Clip of ...
by
SpoutBlog
in
SpoutBlog on spout.com
hasn't rated it.
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"Today’s clip isn’t exactly film-related, but it does tie into Kevin’s list from earlier about unsuccessful movie prophecies. Plus, its title somewhat references Back to the Future, and anything paying tribute to BTTF immediately sparks my interest (this tie-in may have even influenced my vote for president). The comedy short comes from FunnyorDie.com and stars Paul Scheer of Human Giant (and Bride Wars, just to make this more movie-related) in two roles. One role, really, but its divided into two parts, “Alex” and “Future Alex.” And the whole thing is a play on the idea of fashions of the future. Anyway, the video made me think of the Oscars’ usual ignorance of science-fiction costumes, particularly of designs for films set in the future (meaning < "
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Bride Wars - Review
by
Tenenbaums
in
Tenenbaums Blog
is neutral about it.
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"Funny enough, but about what you'd expect from a comedy released around this time of year. Orange County was the only movie released in early January that's worth a damn, and it was no Duck Soup. Hathaway proves that she's a better actress than Hudson, even in the comedy realm. Who would want to marry Hudson, anyway? She temporarily ruined the lives of her past 2 men (Black Crowes' frontman Chris Robinson and Owen Wilson). The script draws enough laughs throughout (sample Hathaway line: "Mother Eff!"), but the character development needs more, err.., development if the ending is to be taken seriously. Feel free to wait until a video release, or, if you're like me and live in a small town with $4.50 evening shows, it's not a bad date night film. "
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Bride Wars - Review
by
mercurial
in
a filmblog
lost interest.
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"When the omniscient wedding planner (Candice Bergen) begins her droll narration of the film, the audience knows they are in for a truly tainted treat. Examining the deprave and ultimately ludicrous nature of modern day weddings, Bride Wars follows two lifelong friends, Liv (Kate Hudson) and Emma (Anne Hathaway), as they find themselves engaged at the same time and competing to one up the other as their nuptials have been accidentally scheduled for the exact same time and place. As the severity of the pranks pulled on one another increases, the hilarity takes heed and vanishes until all that remains is a rather trite attempt at conveying the boring power of true friendship. Has it's moments (all of which were carefully compiled for the film's trailer) but eventually just falls to pieces. "
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Oscars: Best Picture Underdogs
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Karina
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Karina on SpoutBlog
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"I’m still catching up on RSS feeds after a week away, but as movie blog talk increasingly moves towards Oscar prognostication (because what else are we gonna talk about between now and Sundance –– Bride Wars?), I’m noticing a sort of two-headed theme emerge in the last week of the year. One the one hand: While Slumdog Millionaire, Milk and Benjamin Button all have their fans, no one seems crazy enough about the front-runners for the final two best picture slots (Frost/Nixon, Doubt and, um … Revolutionary Road? Maybe?) to label any of them as a lock; on the other: this year, to be contrarian seems to be equivalent to being populist. Factors A + B first resulted in a mostly-online push for a Best Picture nomination for The Dark Knight. It might have seemed laughable before the movie opened (a comic-book cape flick blockbuster annointed for all time as one of the five best films of the year? Please!), but the campaign has gathered so much steam that the film’s worthiness is now a non ... "
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Oscars: Best Picture Underdogs
by
SpoutBlog
in
SpoutBlog on spout.com
hasn't rated it.
Was this review helpful?
[Be the first to tell us!]
"I’m still catching up on RSS feeds after a week away, but as movie blog talk increasingly moves towards Oscar prognostication (because what else are we gonna talk about between now and Sundance –– Bride Wars?), I’m noticing a sort of two-headed theme emerge in the last week of the year. One the one hand: While Slumdog Millionaire, Milk and Benjamin Button all have their fans, no one seems crazy enough about the front-runners for the final two best picture slots (Frost/Nixon, Doubt and, um … Revolutionary Road? Maybe?) to label any of them as a lock; on the other: this year, to be contrarian seems to be equivalent to being populist. Factors A + B first resulted in a mostly-online push for a Best Picture nomination for The Dark Knight. It might have seemed laughable before the movie opened (a comic-book cape flick blockbuster annointed for all time as one of the five best films of the year? Please!), but the campaign has gathered so much steam that the film’s worthiness is now a non ... "
[More]
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