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Born to Dance
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Directed by Roy Del Ruth
A never-completed stage musical was the source for the MGM superproduction Born to Dance. The plot is another three-sailors-on-leave affair, with Ted (James Stewart), Mush (Buddy Ebsen) and Gunny (Sid Silvers, who also co-wrote the script) romancing the eminently romanceable Nora (Eleanor Powell), Peppy (Frances Langford) and Jenny (Una Merkel). Nora aspires to become a dancing star, but her career nearly ends before it begins when she inadvertently comes between Broadway luminary Lucy James (Virginia Bruce) and her producer-lover McKay (Alan Dinehart). If anyone watching back in 1936 really cared about the plot, they probably weren't music lovers. The lovely Cole Porter score (his first written directly for the screen) includes "I've Got You Under My Skin", sung by Virginia Bruce to James Stewart, and "Easy to Love", warbled by Stewart to Eleanor Powell. Highlights include Reginald Gardiner's impersonation of a symphony-conducting traffic cop (a routine he'd previously performed on stage) and Eleanor Powell's climactic tap routine on board an art-deco battleship (a sequence later re-deployed for the climax of 1944's I Dood It). ~ Hal Erickson, All Movie Guide
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Review by All Movie Guide
All Movie Guide
lost interest.
James Stewart's crooning of Cole Porter's "Easy to Love" in this musical extravaganza later found its way into the vastly successful MGM retrospective That's Entertainment as something of a curiosity, and back in 1936, the studio had in fact contemplated dubbing Stewart with singer Jack Owens. But although Stewart's vocal abilities are far from startling, his typically bashful rendition actually turns out to be one of the highlights of Born to Dance. Naturally, Eleanor Powell, whose equilibristic tapping remains a marvel to behold, is at the center of this pleasantly screwy if slightly overblown musical-comedy, and her colossal final number, to the rhythm of "Swingin' the Jinx Away," is still "a wow," to use a phrase closer to 1936. Cole Porter's score ranges from the classic "I've Got You Under My Skin" to the satirical (but eminently forgettable) "Love Me, Love My Pekingese," and if Born to Dance doesn't quite live up to the great MGM musical tradition plot-wise, it is still great entertainment. A little-known fact is that Eleanor Powell actually used a dance double, Marilyn Kinsley, in a few shots. ~ Hans J. Wollstein, All Movie Guide
 

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