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Blood and Sand
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Directed by Rouben Mamoulian
Based on the novel by Vincente Blasco Ibanez, Blood and Sand is the beautifully rendered story of the rise and fall of a young, cocksure Spanish bullfighter, played by Tyrone Power. Working his way slowly up the ladder to success, Power achieves fame when he is praised to skies by fatuous, fickle critic Laird Cregar. A country boy at heart, Power finds himself way over his head with sophisticates, and is soon torn between his pious and faithful wife Linda Darnell and sexy, mercenary Rita Hayworth. It is Darnell, however, who comforts Power after his final, fatal goring in the bull ring. The film's best scenes depict the curious combination of horror and fascination with which bullfighting aficionados treat this most barbaric of "sports." Blood and Sand was previously filmed in 1922 with Rudolph Valentino; a Valentino contemporary, Alla Nazimova, plays Power's mother in the remakes. Portions of this film turned up as stock footage in the 1945 Laurel and Hardy comedy The Bullfighters. ~ Hal Erickson, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Falling into the "they don't make them like this anymore" category, Blood and Sand is a very good melodrama with the romantic backdrop of Spanish bullfighting. Power desires to be the greatest matador of all time and in his quest for that title he is trapped between two powerful females, his wife Carmen and socialite Dona Sol. Linda Darnell plays Carmen with a very low-key manner, capturing the essence of a simple woman matched with a complicated man. Unfortunately for her, she's blown off the screen by Rita Hayworth as Dona Sol. Anyone who wonders where the Hayworth legend comes from should see this film. Even though her character is not one to root for, you can't take your eyes off her except in the token song performance in which her voice is dubbed anyway. Also of note is the performance of John Carradine as Power's sidekick. His is the voice of reality as Power's fame and ego begin to skyrocket and, as in most melodramas, he is the one who will end up showing Power the folly of his ways through tragic means. Legendary director Rouben Mamoulianshows a good touch with the bullfighting sequences and some of the love scenes, but the opening sequences that provide the backstory seem stiff. Then again, many of the characters seem secondary to the opulent surroundings and large crowd scenes. Filmed in the then relatively new Technicolor process, the film manages to avoid the washed out saturation that many other color films from the era suffer from today. ~ Dan Friedman, All Movie Guide
 

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