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Bliss
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Directed by Ray Lawrence
After suffering a near-death experience, an executive realizes that his seemingly ideal life has become a horrifying nightmare in this dark Australian satire. Based on the novel by Peter Carey, who also penned the screenplay, the film begins with a deceptively calm, idyllic day in the life of ad man Harry Joy (Barry Otto). A heart attack leads Harry to experience a brief moment of brain death, however, and he awakens with a far darker vision of the world. In quick succession, he learns that his wife is cheating on him, his son has become a drug dealer, and his daughter is a junkie. Even his perfect career has become a nightmare, as he discovers that his latest client is in fact a heartless, deadly polluter. Enraged, Harry is determined to live a morally righteous life, a notion that proves an anathema to everyone around him. Several memorably bleak and explicit sequences may repel some viewers, while others will be disappointed that the satire becomes slower and less focused as the film continues. Nevertheless, Bliss's daring, bitter look at the modern world received a good deal of critical acclaim, particularly in its home country, where it won an Australian Academy Award. ~ Judd Blaise, All Movie Guide
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hensdillhensdill a dream come true
by hensdill in hensdill Blog
loved it.
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"few films throw magic realism up into the air and let it scatter into the breeze as much as this one. complex and beautiful...mean and spiritual...harsh and delicate...nothing compares to the story of Harry Joy...a must see...a modern masterpiece... " [More]
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Caustic and brittle, this Australian black comedy is based on a novel of the same name by Peter Carey. The protagonist is an advertising executive named Harry Joy (Barry Otto) who survives a near-death experience from a heart attack. The world he awakens to is a nightmare, and he finds his conventionally happy life has concealed from him a number of bizarre family and career problems. It's an interesting twist on the many films in which dying brings beneficence; here, it's just the opposite. Director Ray Lawrence milks the absurdity of the surreal situations for laughs and pathos in a take-no-prisoners style that challenges audiences' tolerance for eccentricity. The film won the Australian Film Institute's award for Best Picture of 1985 and came after the crest of the Australian New Wave. ~ Michael Betzold, All Movie Guide
 

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