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Black Sunday
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Directed by Mario Bava
Generally considered to be the foremost example of Italian Gothic horror, this darkly atmospheric black-and-white chiller put director Mario Bava on the international map and made the bewitching Barbara Steele a star. Steele plays Princess Asa, a high priestess of Satan who is gruesomely executed in 1600s Moldavia by having a spiked mask hammered into her face. Before she dies, Asa vows revenge on the family who killed her and returns from the grave two centuries later to keep her promise. In a striking resurrection scene replete with bats, scorpions and fog, Asa rises from the tomb to claim her bloody vengeance. With vampires, bubbling flesh, dank crypts, undead servants and torch-bearing mobs, the plot is a little ripe, but the visuals are Bava's primary consideration. The atmosphere is so heavy and the imagery so dense that the film becomes nearly too rich in texture, but the sheer, ghastly beauty of it all is entrancing. Although this was only the second of Bava's twenty-six films as director, it is undoubtedly his best and the one upon which most of his considerable reputation rests. ~ Robert Firsching, All Movie Guide
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slipofthetongueslipofthetongue Fine Lookin' Bava
by slipofthetongue in SlipOfTheTongue Blog
is neutral about it.
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"I'll admit I have a lot of catching up to do when it comes to Italian horror. The genre is largely unappreciated and it definitely has a lot to offer. BLACK SUNDAY (1960, a.k.a. The Mask of Satan) was one of Mario Bava's earliest films. The mix feels like... one part horrific elegy and one part escapist fantasy. There are archetypal moments that give one a sense of cinematic deja vu. Maybe it's because Bava has influenced filmmakers such as Tim Burton and Martin Scorcese. " [More]
Dr_GorDr_Gor Re: Italian Horror....
by Dr_Gor in HORROR MOVIES 101
"I have yet to see "Blood And Black Lace" though I have heard MUCH about it. I AM, however, somewhat familiar with the works of Mario Bava and Lamberto Bava as well. Mario was a veteran director before he ever discovered the use of color film... he directed Barbara Steele in "Black Sunday" and a few other early B&W's as well... [More]
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Review by All Movie Guide
All Movie Guide
liked it.
La Maschera del Demonio was released in 1960, the same year as Alfred Hitchcock's Psycho, and serves as a primary example of the divergent paths taken by European and American horror films of that era. Where Hitchcock was more concerned with the psychology of the characters in his horror story, Mario Bava seems more concerned with the psychology of the audience, creating a visual feast of the strange and forbidden that unleashes an adolescent-like interest in the unreal world. The film made a star of sorts of the stunningly beautiful Barbara Steele, who agreed to appear in the film without a salary, instead receiving per diem expenses. A note of caution: numerous version of this film exist under various titles, many of them adversely altered by distributors and censors. In whatever form you watch it, La Maschera del Demonio is easily among the most influential films of the Italian Gothic horror era. ~ Richard Gilliam, All Movie Guide
 

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rik_tod
rik_tod
loved it.
digitalconquest
digitalconquest
loved it.
Puhnner
Puhnner
loved it.
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darkfaerie48
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lopezdash
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myrdynn
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