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Billy Elliot
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Directed by Stephen Daldry
Brassed Off meets My Name Is Joe in this gritty coming-of-age drama about a young son of a poor English coal miner who dreams of being a ballet dancer. The film is set during a 1984 miners' strike in Durham county, where angry clashes between picketers and cops in riot gear are nearly daily occurrences. Among the most vociferous protestors are Tony (Jamie Driven) and his dad (Gary Lewis), who nags his youngest son Billy (Jamie Bell) into taking boxing classes. Though the kid can do some fancy footwork, he can't take a punch. One day at the gym, he notices a ballet class taught by hard-bitten Mrs. Wilkinson (Julie Walters), whose young daughter dares him to join. When his father gets wind of this less-than-manly pursuit, he pulls him from the class. Sensing a raw and natural talent, Mrs. Wilkinson offers to teach the lad for free in preparation for the local auditions to the Royal Ballet School. When Tony gets in trouble with the cops, Billy is forced to miss the trials, leading to a confrontation between Billy's pop and Ms. Wilkinson. Though at first he steadfastly refuses to consider his son's desires of going into ballet, he comes to realize that this might be the one shot that Billy has in order to escape the danger and grinding tedium of a miner's life, so he sets out to earn the money by any means necessary to send his son to London. This film is the directorial debut of renowned British stage director Stephen Daldry. ~ Jonathan Crow, All Movie Guide
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"That's what I think this movie want's to say: "Always be yourself." Everyone has something that they love to do. For Billy Elliot it's dancing. He loves to dance, though he is afraid, and is real brave for doing it. But even though he really loves it, he needs support from people arround him to reach for his dream. Don't we all need that? And also, I loved the dancing! " [More]
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Review by All Movie Guide
All Movie Guide
is neutral about it.
The debut feature of acclaimed stage director Stephen Daldry, this effortlessly charming yet entirely familiar coming-of-age story follows along the same lines as such U.S. imports as The Full Monty and Waking Ned Devine, but with a heartfelt ardor all its own. The film rarely strays from its wistful sensibilities, but features ample compensation in its astute casting (newcomer Jamie Bell is a marvelously natural young find) and Daldry's amiable handling of both the title character's dancing ambitions, as well as the backdrop for the main story, northern England's chaotic mining strike of the 1980s. Overall, Billy Elliot is a difficult film to resist, even if it doesn't genuinely surprise. A momentous hit in Britain, the film's irresistible desire to please proves utterly winning in the long run. Interestingly, the film premiered at the 2000 Cannes Film Festival as Dancer, but so as not to be confused with Lars von Trier's highly publicized, Palme d'Or-winning entry of the same year, the filmmakers decided to permanently change Billy Elliot's title for its U.S. release. ~ Jason Clark, All Movie Guide
 

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