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Better Off Dead
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Most animation aficionados of the 1990s know "Savage Steve Holland" as the cocreator (with Bill Kopp) of the all-stops-out TV cartoon series Eek! The Cat. But Holland had been exercising his own peculiar brand of deviltry on live characters long before Eek! came into being. In Holland's Better Off Dead, John Cusack plays a lovestruck teenager, hopelessly enamored with Amanda Wyss. When she dumps him in favor of a more popular high-schooler, the boy's entire day quickly goes to Hell. In the words of Hamlet, all occasions do inform against Cusack: he is bullied, tormented and torn apart by everyone from the paperboy (who seemingly turns up everywhere) to the disembodied voice of a radio deejay. Cusack attempts suicide, but his efforts are just as unsuccessful-and amusing-as Bud Cort's in Harold and Maude. Meanwhile, French exchange student Diane Franklin, held a virtual prisoner by her host family, develops a long-distance crush on Cusack. ~ Hal Erickson, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Cartoonist Savage Steve Holland made his directorial debut with this acid comedy about a going-nowhere hamburger flipper and his run of bad luck. Its gleefully twisted tone, exemplified by a goofy suicide attempt in a basically lighthearted film (John Cusack's character jumps off a bridge, only to land among the refuse of a passing garbage truck), made it a minor quotable classic to a generation of young anti-authoritarian filmgoers. In one of his earliest roles, Cusack wears his expression of hangdog gloom with real comic sensibility, and the succession of miserable people and events that enter his life warrant every last frown and sigh. The funniest and most memorable character set on bedeviling Cusack's Lane Myer is the determined paperboy, willing to ride his bike down a ski slope to collect his fee, whose refrain "I want my two dollars!" will resonate with audiences long after the credits roll. Curtis Armstrong and Dan Schneider also turn in quirky performances as Lane's best friend and his nemesis next-door neighbor, respectively. The set pieces, some of them punched up by Holland's own animation and offshoots thereof, make for a pleasingly outlandish little coming-of-age story that doesn't betray its own world view, even during the inevitable happier moments of the tale. ~ Derek Armstrong, All Movie Guide
 

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