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Better Luck Tomorrow
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Directed by Justin Lin
A group of unlikely high school students take up crime as an extracurricular activity in this independent drama. Ben (Parry Shen) is a 16-year-old high school student who is the living embodiment of the stereotypical Asian overachiever. Ben obsessively studies even though he gets straight A's, takes part in a dizzying variety of school activities and community volunteer work, which he thinks will look good on his resume to colleges, and is even a member of the basketball team, even though he spends most of the season riding the pine. Ben also hopes being part of the team will help him win the heart of Stephanie Vandergosh (Karin Anna Cheung), a cute but equally obsessive girl who is on the cheerleading squad. When the big man on campus, Daric (Roger Fan), publishes an article in the school newspaper that points out Ben's true role on the team is to add a touch of ethnic diversity to satisfy Board of Education requirements, Ben is so embarrassed he quits the team and imagines his academic future going up in smoke. Daric seizes the opportunity to propose that he and Ben go into business, creating and selling detailed cheat sheets for school tests and placement exams. The cheat sheets are an immediate hit, and soon Ben and Daric advance to other forms of low-level crime, including drug dealing and fencing stolen goods. Before long, Ben and Daric are joined by a handful of friends -- Ben's close friend and part-time kleptomaniac Virgil (Jason Tobin), Hong Kong gangster wannabe Han (Sung Kang), and Steve (John Cho), a kid from a wealthy family who happens to be dating Stephanie -- but they soon find themselves moving deeper into the criminal underworld than they ever anticipated, and things get ugly when they try to move on. Better Luck Tomorrow was enthusiastically received in its screenings at the 2002 Sundance Film Festival. ~ Mark Deming, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Justin Lin's independent feature about a group of good kids gone bad caused a stir at the 2002 Sundance Film Festival, where at least one audience member objected to its depiction of Asian-Americans. The incident may have gone unnoticed except that Roger Ebert was inspired to defend the film both at the screening and in his column, giving it enough attention to ultimately land Lin a distribution deal with MTV Films. Lin is certainly a talented director, drawing fine performances from his young cast, who, like many Asian-American actors, are normally consigned to bit roles. Clearly inspired by Martin Scorsese, Lin also has a good sense of pacing and visual energy. Like Scorsese's Goodfellas, Better Luck Tomorrow is narrated by a mentally unraveling protagonist, with the plot gaining momentum in rhythm with his increasing desperation. Lin and cinematographer Patrice Lucien Cochet also imbue the film's Southern Californian locale with dazzling natural light playing off soulless suburban housing developments, neatly connecting the characters' malfunctioning moral compasses to their bland surroundings. The touchstone for this kind of suburban anomie exploding into violence is Jonathan Kaplan's unjustly forgotten Over the Edge, which managed to make the same point much more forcefully. In fact, there isn't much new in Lin's film. It's competently made and well-acted, but, like a lot of independent films, it covers the territory of suburban restlessness without adding anything fresh to the mix. This is only Lin's second feature, and as one of the few successful Asian-American directors, he certainly has something to say. Hopefully he will have the chance to apply his talents to something more challenging and unique in the future. ~ Tom Vick, All Movie Guide
 

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MovieJay
MovieJay
loved it.
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scduregger
loved it.
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lukasblu
liked it.
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MSWallack
lost interest.
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vintageplastic
disliked it.
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ephesus
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