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Battleship Potemkin
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Directed by Sergei Eisenstein.
After the success of Strike (1924), Sergei Eisenstein was commissioned by the Soviet government to make a film commemorating the uprising of 1905. Eisenstein's scenario, boiled down from what was to have been a multipart epic of the occasion, focussed on the crew of the battleship Potemkin. Fed up with the extreme cruelties of their officers and their maggot-ridden meat rations, the sailors stage a violent mutiny. This, in turn, sparks an abortive citizens' revolt against the Czarist regime. The film's centerpiece is staged on the Odessa Steps, where in 1905 the Czar's Cossacks methodically shot down rioters and innocent bystanders alike. To Eisenstein, this single bloody incident was the crucible of the successful 1917 Bolshevik revolution, and the result was the "Odessa Steps sequence," which is often considered the most famous sequence ever filmed; it is certainly one of the most imitated, perhaps most overtly by Brian De Palma in The Untouchables (1987). This triumph of Eisenstein's "rhythmic editing" technique occurs in the middle of film, not as the climax, as more current film structure might do it. All the actors in the film were amateurs, selected by Eisenstein because of their "rightness" as types for their roles. Pictorial quality varies from print to print, but even in a duped-down version, Battleship Potemkin is must-see cinema. ~ Hal Erickson, All Movie Guide
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leeroy711leeroy711 Re:Cause & Effect
by leeroy711 in Movie Games
liked it.
"The Russian Navy refuses to fire on the Battleship Potemkin. Lenin uses the Battleship Potemkin story to fuel the October revolution of 1917 which puts power in the hands of the Bolsheviks. They form the Soviet Union, which Stalin takes control over. After WWII, the USSR takes over East Germany. The communist state of East Germany (later declared sovereign by USSR) creates the Stasi (secret police of East Germany) dissenters of the State and the Socialist Unity Party were questioned, jailed and/or beaten until the accusers heard what the wanted to hear such as in the film, The Lives Of Others. Allright so, you could have probably fit about 2 or 3 movies in between those two but I would say this was a pretty good example of cause and effect. " [More]
mercurialmercurial Re:Weekly Theme for July 14: Th ...
by mercurial in Weekly Theme
liked it.
"Aside from some of my favorites that were already mentioned (M, Edward Scissorhands) I have to say one of the best angry mobs is in Xala. A group of disenfranchised disfigured and destitute storm the home of a wealthy politician, strip him down and proceed to take turns spitting their disease ridden mucus all over him. Fun times. Without straying too far from the topic (the rebellions of films like Battleship Potempkin, Mutiny on the Bounty, Cutthroat Island, Pirates of the Caribbean, etc.) some of the mob scenes that stick out in my mind are: Citizen Ruth - Loaded with mobs of crazy anti-abortionists. The Dreamers - At the end of the film when the mob of students storm through the streets. The Night of the Hunter Elvira, Mistress of the Dark - Hilariously bad movie with a great mob of prudish townsfolk. A Nightmare on Elm Street - Brief but essential. Dogville - I know this is bending what exactly constitutes an "angry mob" but the conspiratorial townspeople are just completely fu ... " [More]
leeroy711leeroy711 Re:Weekly Theme for July 7: Foo ...
by leeroy711 in Weekly Theme
liked it.
"[quote user="unclefestering"] [quote user="leeroy711"] I just finished watching another film, Battleship Potemkin, that fits the topic because of the original reason for the uprising. Coincidently, this film also fits perfectly into next week's theme, to be announced tomorrow evening. [/quote] Hmmm. I don't know if I'd consider maggoty beef "Foodie Heaven." [/quote] It was for the maggots. " [More]
unclefesteringunclefestering Re:Weekly Theme for July 7: Foo ...
by unclefestering in Weekly Theme
hasn't rated it.
"[quote user="leeroy711"] I just finished watching another film, Battleship Potemkin, that fits the topic because of the original reason for the uprising. Coincidently, this film also fits perfectly into next week's theme, to be announced tomorrow evening. [/quote] Hmmm. I don't know if I'd consider maggoty beef "Foodie Heaven." Then again since we already threw Delicatessen on the list... I guess meat is meat. Might as well add Motel Hell to the list. "It takes all kinds of critters to make Farmer Vincent's fritters." " [More]
leeroy711leeroy711 Re:Weekly Theme for July 7: Foo ...
by leeroy711 in Weekly Theme
liked it.
"I just finished watching another film, Battleship Potemkin, that fits the topic because of the original reason for the uprising. Coincidently, this film also fits perfectly into next week's theme, to be announced tomorrow evening. " [More]
mercurialmercurial Re:Favorite silent films?
by mercurial in Silent Film
liked it.
"A Trip to the Moon and Nosferatu are definitely on the top of the list. Modern Times, Battleship Potemkin and The Shiek are also up there. But Spring Fever, which I just recently saw on TCM when they were celebrating Joan Crawford's birthday was just incredible. It immediately became my favorite and have been waiting for them to play it again. " [More]
mercurialmercurial Battleship Potemkin - Review
by mercurial in a filmblog
liked it.
Was this review helpful? [Be the first to tell us!]
"A powerful retelling of a tragic occurrence in five parts, Battleship Potemkin plays very much like a faux documentary with its pulse-poundingly intrepid score underlying each magnificently edited moment. The universally gawked over fourth part of the film is entirely justified in its acclaim; "The Odessa Steps" sequence is nothing short of spectacular and remains as poignant now as it undoubtedly did more than 80 years ago. Shocking, emotional and ultimately uplifting, Battleship Potemkin is a must-see, even for those that guffaw at the thought of sitting through a silent film. " [More]
paulpaul Re: Other movies thrown into th ...
by paul in PulpFiction1975
liked it.
Was this review helpful? [Be the first to tell us!]
"My knowledge of acting talent from the silver screen days is limited. But I do really dig this idea of what would a film would mean if it were in a different era?Like Fight Club. I think if it were set at the turn of the century, it would probably be close to Battleship Potemkin. When you think of the political unrest between the very rich and the very poor, I think Battleship distilled into film that general sense of unrest the way Fight Club distilled into film how the ideal middle-class existence is really boring, even insanity inducing. Both films had the same result: men revolting.In the reverse scenario, a film I'd love to see done today is Treasure of the Sierra Madre. With all of prerequisite post-WWII gags and the ethnocentric portrayal of Mexicans stripped out, I think the guts of that flick make a great story about relationships falling apart the closer people get to having what they've always wanted. " [More]
Review by All Movie Guide
All Movie Guide
loved it.
Selected to make a film commemorating the failed 1905 revolution against the czar, Soviet filmmaker, film teacher, and film theorist Sergei Eisenstein decided to concentrate on one exemplary event, the mutiny aboard the battleship Potemkin. Cast with non-actors and structured in five "acts" depicting the uprising and its violent aftermath, Potemkin maximized the dramatic impact of the historical incident by balancing documentary-style realism with Eisenstein's meticulous orchestration of visual composition and editing. Eisenstein used his concept of "intellectual montage" to create sensational and psychological effects, most effectively in the "Odessa Steps sequence" depicting the massacre of innocent citizens by czarist Cossacks. Expanding screen time to emphasize the event's terror, Eisenstein rapidly cut among soldiers' boots implacably advancing down the steps, crowds fleeing, such individual horrors as a mother confronting the soldiers with her dead child, and, most famously, a baby's carriage careening out of control. Using editing to create an impression of violence and carnage greater than anything actually shown onscreen, Eisenstein emphatically revealed the expressive potential of the 30-year-old medium. After its 1926 debut, Potemkin rapidly became world-renowned; even in countries where it was officially banned as Soviet propaganda, the power of Eisenstein's unprecedented cinematic creativity could not be denied. The Odessa Steps sequence has since become perhaps the single most famous and influential four minutes of film ever made. ~ Lucia Bozzola, All Movie Guide
 



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