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Badlands
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Directed by Terrence Malick
"He wanted to die with me and I dreamed of being lost forever in his arms." A young couple goes on a Midwest crime spree in Terrence Malick's hypnotically assured debut feature, based on the 1950s Starkweather-Fugate murders. Fancying himself a rebel like James Dean, twentysomething Kit (Martin Sheen) takes off with teen baton-twirler Holly (Sissy Spacek) after shooting her father (Warren Oates) when he tries to split the pair up. Once bounty hunters discover their riverside hiding place, Kit and Holly head toward Saskatchewan, leaving dead bodies in their wake. As the law closes in, however, Holly gives herself up -- but Kit doesn't hold it against her, as he basks in his new status as a momentary folk hero. Inaugurating the use of voice-over narration that he would continue in Days of Heaven (1978) and The Thin Red Line (1998), Malick juxtaposes Holly's flat readings of her flowery romance-novel diary prose with the banal and surreal details of their journey. Singularly inarticulate with each other, Kit and Holly are more intrigued by mythic celebrity gestures, as Holly peruses her fan magazines and Kit commemorates key moments before orchestrating a properly dramatic capture for himself (complete with the right hat). The sublime visuals lend a dreamlike beauty to the couple's trip even as their actions are treated casually; Malick neither glamorizes Kit and Holly nor consigns them to the bloody end of their fame-fixated predecessors in Bonnie and Clyde (1967). With the couple's opaque dialogue and Holly's fanzine dream narration, Malick further denies an easy explanation for their crimes. Made for under 500,000 dollars, Badlands debuted at the 1973 New York Film Festival, along with Martin Scorsese's Mean Streets, and was released within months of two other outlaw-couple road movies, Steven Spielberg's The Sugarland Express and Robert Altman's Thieves Like Us. Although Badlands did not make an impression at the box office, its pictorial splendor and cool yet disquieting narrative established Malick as one of the most compelling artists to come out of early-'70s Hollywood. ~ Lucia Bozzola, All Movie Guide
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CaptainRyannnCaptainRyannn Week 30.
by CaptainRyannn in CaptainRyannn Blog
loved it.
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"Titles in bold represent a first time viewing. 346. Magnolia (Anderson, 1999)----------I thought that this was a pretty great collage-type film with the likeness of a more familiar title, Crash. Aside from Julianne Moore's performance, one of the few things I d " [More]
WindbreakerWindbreaker BADLANDS
by Windbreaker in Windbreaker!
loved it.
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"Probably Malick's movie with the most mainstream appeal, yet also the most hidden from the general public. I'm surprised it didn't get more attention when The Thin Red Line came out, particularly since Malick doesn't have a ton of projects over the years like a Spielberg, for example. Usually when I see Martin Sheen acting in his younger days, I'm impressed. As opposed " [More]
kristenkristen Badlands (1973, Terrence Malick ...
by kristen in kristen Blog
hasn't rated it.
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"Terrence Malicks first film, Badlands (1973), provides insight to the desensitization of a murderer. The characters Kit (Martin Sheen) and Holly (Sissy Spacek) are depraved; the voiceovers allow them to be human while their actions distance them from humanity. [More]
RisseladaRisselada movie year countdown - round #2 ...
by Risselada in Risselada Blog
loved it.
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"This blog entry is part of my “movie year countdown round #2”. Read more about that here.The New WorldWell it's strange but I seem to like each of Malick's subsequent movies less and less. Badlands is on " [More]
rlpolo04rlpolo04 Badlands
by rlpolo04 in rlpolo04 Blog
is neutral about it.
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"Badlands- ***Directed by Terrance Malick May 2, 2007At the end of the film an officer tells Kit (Martin Sheen, never better) “you’re quite an individual” Kit replies “you think they’ll take that into consideration?” This " [More]
RisseladaRisselada Re:Weekly Theme for October 26: ...
by Risselada in Weekly Theme
"My favorite film The Good, the Bad, and the Ugly always gives me huge goosebumps at the very end. Tuco yelling, "Hey, Blondie! You know what you are?! Just a dirty son of a --" and then the famous wa-ah-ah-ah-aaaaah sound burst forth to drown out his last word. I love it! Robert Bresson's movies always have great last images, but great last lines too I'd say. " [More]
Dr_GorDr_Gor Re:Which of these from Tim Out' ...
by Dr_Gor in Movie Polls
"[quote user="Risselada"] Please reference this thread for the rules of this group. Here is the link for the full list of Time Out's 50 greatest directorial debuts of all time
 

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