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Badlands
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Directed by Terrence Malick
"He wanted to die with me and I dreamed of being lost forever in his arms." A young couple goes on a Midwest crime spree in Terrence Malick's hypnotically assured debut feature, based on the 1950s Starkweather-Fugate murders. Fancying himself a rebel like James Dean, twentysomething Kit (Martin Sheen) takes off with teen baton-twirler Holly (Sissy Spacek) after shooting her father (Warren Oates) when he tries to split the pair up. Once bounty hunters discover their riverside hiding place, Kit and Holly head toward Saskatchewan, leaving dead bodies in their wake. As the law closes in, however, Holly gives herself up -- but Kit doesn't hold it against her, as he basks in his new status as a momentary folk hero. Inaugurating the use of voice-over narration that he would continue in Days of Heaven (1978) and The Thin Red Line (1998), Malick juxtaposes Holly's flat readings of her flowery romance-novel diary prose with the banal and surreal details of their journey. Singularly inarticulate with each other, Kit and Holly are more intrigued by mythic celebrity gestures, as Holly peruses her fan magazines and Kit commemorates key moments before orchestrating a properly dramatic capture for himself (complete with the right hat). The sublime visuals lend a dreamlike beauty to the couple's trip even as their actions are treated casually; Malick neither glamorizes Kit and Holly nor consigns them to the bloody end of their fame-fixated predecessors in Bonnie and Clyde (1967). With the couple's opaque dialogue and Holly's fanzine dream narration, Malick further denies an easy explanation for their crimes. Made for under 500,000 dollars, Badlands debuted at the 1973 New York Film Festival, along with Martin Scorsese's Mean Streets, and was released within months of two other outlaw-couple road movies, Steven Spielberg's The Sugarland Express and Robert Altman's Thieves Like Us. Although Badlands did not make an impression at the box office, its pictorial splendor and cool yet disquieting narrative established Malick as one of the most compelling artists to come out of early-'70s Hollywood. ~ Lucia Bozzola, All Movie Guide
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Week 30.
by in CaptainRyannn Blog
liked it.
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"Titles in bold represent a first time viewing. 346. Magnolia (Anderson, 1999)----------I thought that this was a pretty great collage-type film with the likeness of a more familiar title, Crash. Aside from Julianne Moore's performance, one of the few things I didn't like was the fact that the characters didn't connect with each other other than the bizarre finale at the end of the film. (7.5 / 10) 347. Stuck (Gordon, 2007)----------Based on a true story, stuck follows a wannabe-ghetto woman " [More]
BADLANDS
by in Windbreaker!
loved it.
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"Probably Malick's movie with the most mainstream appeal, yet also the most hidden from the general public. I'm surprised it didn't get more attention when The Thin Red Line came out, particularly since Malick doesn't have a ton of projects over the years like a Spielberg, for example. Usually when I see Martin Sheen acting in his younger days, I'm impressed. As opposed to today's Martin Sheen who every time he appears onscreen, it's like "hey, I'm Martin Sheen -- I used " [More]
Badlands (1973, Terrence Malick ...
by in kristen Blog
hasn't rated it.
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"Terrence Malicks first film, Badlands (1973), provides insight to the desensitization of a murderer. The characters Kit (Martin Sheen) and Holly (Sissy Spacek) are depraved; the voiceovers allow them to be human while their actions distance them from humanity. Hollys relationship to Kit is interesting. They fall in love. When Kit murders her father, Holly makes the decision to stay with him. Their relationship is no longer the same. At first, they have fun, but Holly becomes more removed. She " [More]
movie year countdown - round #2 ...
by in Risselada Blog
loved it.
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"This blog entry is part of my “movie year countdown round #2”. Read more about that here.The New WorldWell it's strange but I seem to like each of Malick's subsequent movies less and less. Badlands is one of my absolute favoirtes of all time. In the cold, decisive world of movie ratings I gave it at 10. Days of Heaven I gave a 9, The Thin Red Line an 8, and The New World a 7.I feel like the movies are losing the inherent ironic humor of his characters " [More]
Badlands
by in rlpolo04 Blog
is neutral about it.
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"Badlands- ***Directed by Terrance Malick May 2, 2007At the end of the film an officer tells Kit (Martin Sheen, never better) “you’re quite an individual” Kit replies “you think they’ll take that into consideration?” This scene really sums up the entire movie because Kit wants to be his own person and wants people to know him. Badlands (1973) is based on the true story of Charles Starkweather and Caril Ann Fugate (Malick changed the names to Kit and Holly). Th " [More]
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Re:Weekly Theme for July 21: Ro ...
by in Weekly Theme
"Sorry I've been really under the weather and preoccupied so I've gotten behind on a lot of these threads. I just opened this one up however and was suprised at how few of the movies that immediately came to mind for me (other than my favorite, Fear and Loathing in Las Vegas) had not been mentioned yet at all! Although not one of my favorite movies, the quintessential road movie for me is Two-Lane Blacktop. I can really appreciate the purity of it I think, and the kind of people you " [More]
Re:Films that deserve the Crite ...
by in Criterion Collection
"[quote user="Smooth_J"] The Coen Bros would be awesome, but I'm not sure if they'd be into Criterion...who knows though. I've been thinking of a lot of movies lately that would make a great Criterion release, the most prominent of which being The Assassination of Jesse James by the Coward Robert Ford. I also would love to see Malick's Badlands get the treatment, though I have yet to see it, because I'm planning on buying it anyways. And, since they've done all other Wes Anderson m " [More]
Re:Films that deserve the Crite ...
by in Criterion Collection
"The Coen Bros would be awesome, but I'm not sure if they'd be into Criterion...who knows though. I've been thinking of a lot of movies lately that would make a great Criterion release, the most prominent of which being The Assassination of Jesse James by the Coward Robert Ford. I also would love to see Malick's Badlands get the treatment, though I have yet to see it, because I'm planning on buying it anyways. And, since they've done all other Wes Anderson movies, I'm thinking that " [More]
Re: My favorite directors (by a ...
by in Directors
"I wasn't too impressed by "The New World." I think this might have been a case of overselling. I'd heard so many good things about the movie, so I figured I' " [More]
Re: My favorite directors (by a ...
by in Directors
"I wasn't too impressed by "The New World." I think this might have been a case of overselling. I'd heard so many good things about the movie, so I figured I'd really li " [More]
All Movie Guide Logo
Review by All Movie Guide
All Movie Guide
loved it.
What could have been just another story about delinquents on the run was turned into something extraordinary by first-time director Terrence Malick. A uniquely lyrical story of violence and teenage mythos in the 1950s, Badlands is probably the most low-key film ever made about a mass murderer. Twenty-four-year-old Kit Carruthers (played to perfection by Martin Sheen) has so deeply immersed himself in the studied, affectless cool of James Dean that he appears incapable of showing emotions, while his 15-year-old girlfriend, Holly (Sissy Spacek, also excellent), is at once too baffled by Kit to know how to react and too bored and starved for attention to turn him away when he drags her along for a multi-state killing spree; their crimes seem to stem less from anger than from ennui gone wrong. Much as Sergio Leone's spaghetti Westerns featured amoral men in a landscape at once beautiful and desolate, Malick places his murderous couple in an American landscape both stunning and strangely barren; Kit's violence seems less an act of focused rage than a pitiful attempt to make something new of his otherwise plain surroundings, much as Holly's flowery narration tries to derive an exciting story from their arid, sordid lives. (Malick's camera crew, led by Tak Fujimoto, Steven Larner, and Brian Probyn, do brilliant work on a limited budget.) Presenting his killers without judgment (but without approval, either), Malick wrought a strange and unsettling beauty for this first chapter in his remarkable (if not prolific) film career. ~ Mark Deming, All Movie Guide
 

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