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Bad Education
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Directed by Pedro Almodóvar
Filmmaker Pedro Almodóvar takes a look at his own adolescence as well as confronting the issue of sexual misconduct in the Catholic Church in this stylish drama, which was chosen to open the 2004 Cannes Film Festival. Enrique Goded (Fele Martínez) is a Spanish filmmaker who is having trouble settling on a new project when he's approached by Ignacio Rodriguez (Gael García Bernal), who was his close friend when they were schoolboys. Goded, who fell in love for the first time with Rodriguez, barely recognizes the man as his former crush, but agrees to read the short story he's written. The tale turns out to be an semi-autobiographical account of their days in a Catholic boarding school, in which a cross-dressing night-club performer named Zahara (also played by Bernal) hooks up with a man named Enrique (Alberto Ferreiro), who turns out to have been his first lover when he was a student. Recalling their school days, Zahara tracks down Father Manolo (Daniel Giménez Cacho), one of his teachers from school with pedophilic tendencies, and threatens to expose the priest's attempts to seduce him and ruin his relationship with Enrique years ago. Goded decides to use the story as the basis for his next film, and Rodriguez, an out-of-work actor, makes it clear he's eager to play Zahara. However, Goded isn't certain if Rodriguez is the right actor for the role, or if he's even the man he claims to be; an angry conflict with Rodriguez leads Goded back to the real Ignacio's mother (Petra Martínez). ~ Mark Deming, All Movie Guide
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Review by All Movie Guide
All Movie Guide
liked it.
It seems that with each passing film, Pedro Almodóvar's palette gets a little darker. Bad Education is his most somber film to date (with the possible exception of Live Flesh), a brooding drama about past demons returning to the present, about lost love, lost faith, and mistaken identity, all haunted by the strains of "Moon River" and an ancient image of legendary Spanish singer-actress Sara Montiel. The film is filled with allusions to the past, to the repression and corruption of fascist Spain and a Catholic boarding school (like the one Almodóvar attended), but also to a cinematic past that is clearly just as crucial to the world view of Almodóvar and his tormented cast of characters. While Bad Education owes a tremendous debt to classic film noir, it's also an unquestionably personal work, beyond the simple fact that it's about a filmmaker, Enrique Goded (Fele Martínez) grappling with his influences, and with fiction's ultimate usefulness (and inadequacy) in dredging up the truths of the past. Almodóvar has always excelled at writing strong female characters, but he seems to be growing less interested in that kind of projection, as in his last film, Talk to Her, they were all comatose, and in this one they're nonexistent, unless you count the film's cross-dressing "femme fatale," seductively played by Gael García Bernal, and his uproarious sidekick, Paca (Javier Cámara). Almodóvar is an increasingly precise filmmaker, in terms of both image and sound, and this film, while rich and intricate, sacrifices some of the joyful spontaneity of his earlier work. It feels just a bit airless. ~ Josh Ralske, All Movie Guide
 

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analogzombie
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Kowalski76
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