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Autumn Spring
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Fanda (Vlastimil Brodský of Larks on a String), an elderly former actor, can't resist playing practical jokes on everyone around him. As Autumn Spring opens, Fanda and his best friend and co-conspirator, Eda (Stanislav Zindulka), have convinced a real estate agent that Fanda is a retired star from the Metropolitan Opera in New York. As they tour an opulent mansion, Fanda pronounces it "very shabby." Fanda doesn't mean any harm with his pranks. He's just trying to amuse himself. But his wife, Emílie (Stella Zázvorková) doesn't understand his childish behavior, and resents the way he squanders money and wastes his time while she scrimps and saves and makes preparations for their eventual burial. Their selfish son, Jára (Ondrej Vetchý), wants them to move out of their apartment so that his ex-wife and her kids can move in. When one victim of Fanda's pranks realizes he's been had and demands payment for his time and expenditures, Fanda calmly agrees. Unable to come up with the money, he dips into Emílie's funeral fund. When she finds out about it, she decides to take drastic action, which has a profound effect on Fanda's carefree existence. Autumn Spring was directed by Vladimír Michálek from a script by Jirí Hubac. It marks the final performance of renowned Czech actor Brodský, who committed suicide shortly after the film was made. Autumn Spring won several Czech Lion awards in 2001, and has been shown at festivals throughout the world, including the 2003 installment of New Directors/New Films. ~ Josh Ralske, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
For most of its length, Vladimír Michálek's Autumn Spring is a touching story of an elderly con man. Thanks in part to a strong, restrained lead performance from the late Vlastimil Brodský, the film manages to avoid becoming maudlin until the final third. It's one thing to make Fanda (Brodský), the impish con man, sympathetic, but Michálek and screenwriter Jirí Hubac take things a step further, turning Fanda into some kind of guardian angel sent to earth to dispense wisdom and lighten the lives of everyone he meets, with the exceptions of his spoiled grandchildren (who, unlike most human grandchildren, seem to look forward to their grandfather's death), his selfish and uncaring son, Jára (Ondrej Vetchý), and most problematically, his long-suffering wife, Emílie (Stella Zázvorková). The relatively humorless Emílie is determined to put a stop to Fanda's shenanigans, but her motives aren't very well developed. The filmmakers stack the deck and risk turning the character into a death-obsessed, penny-pinching shrew. There's never any question that she's wrong and Fanda's right, and sure enough, her crackdown on his antics has tragic consequences. Because Emílie's motivation is so broadly drawn (she's nearly villainous in her disregard for Fanda's seemingly harmless pleasure), the film's dramatic turn seems more sentimental and manipulative than it might have been, had the filmmakers attempted to make Fanda less saintly. ~ Josh Ralske, All Movie Guide
 

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