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Apocalypse Now Redux
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Francis Coppola had more than his share of production difficulties while shooting his epic-scale Vietnam War drama Apocalypse Now, including disastrous weather conditions, problems with his leading men (Harvey Keitel was fired after less than two weeks on the project and was replaced by Martin Sheen, who suffered a heart attack midway through production), and a schedule and budget that quickly spiraled out of control (originally budgeted at $10 million, the film's final cost was over $30 million). But Coppola's troubles didn't end when he got his footage into the editing room, and he tinkered with a number of different structures and endings before settling on the film's 153-minute final cut in time for its initial theatrical release in 1979. Twenty-two years later, Francis Coppola returned to the material, and created Apocalypse Now Redux, an expanded and re-edited version of the film that adds 53 minutes of footage excised from the film's original release. In addition to adding a number of smaller moments that even out the film's rhythms, Apocalypse Now Redux restores two much-discussed sequences that Coppola chose not to include in his original edition of the film -- an encounter in the jungle between Willard (Martin Sheen), his crewmates Chief (Albert Hall), Clean (Larry Fishburne), Chef (Frederic Forrest), and Lance (Sam Bottoms) and a trio of stranded Playboy models on a U.S.O. tour, as well as a stopover at a plantation operated by French colonists De Marais (Christian Marquand) and Roxanne (Aurore Clement). Apocalypse Now Redux received a limited theatrical release in August of 2001 after a well-received screening at the Cannes Film Festival -- the same month that the film finally reached theaters in 1979, after a rough cut received a Golden Palm award at the Cannes Festival. ~ Mark Deming, All Movie Guide
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AmateurXAmateurX Not quite good as the original
by AmateurX in AmateurX Blog
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"To put it simply, while the original gets 5 stars, this one only gets 4. This version adds a ton of extra scenes that don't necessarily add to the story. There are a few scenes though that have the "ooohhh" factor, but were appropriately left out on the original version. If you liked the original you'll probably like this one too, although probably not as much. Make sure you pee before you start though, it's a long one! " [More]
RisseladaRisselada Re: FilmCouch #21
by Risselada in FilmCouch
"What about The Godfather Trilogy? I mean it's the same director and the same story, but it's reedited together in a new way. Didn't Coppola do this with Apocalypse Now Redux as well? I haven't seen either of these, but what is the deal? " [More]
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Review by All Movie Guide
All Movie Guide
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Amidst the thousands of pages that have been written about Apocalypse Now since it was released in 1979, one would be hard-pressed to find anyone who held the opinion that the film really needed to be longer, so the prospect of a new cut of Apocalypse that included nearly an hour of unseen footage seemed highly intriguing without sounding like the best idea Francis Ford Coppola has ever had. Apocalypse Now Redux, Coppola's 203-minute reconstruction of his original edit of the film, manages to simultaneously reinforce what was good and what was bad about the original version of the picture. The two major set pieces that have been restored to Apocalypse -- an assignation between Willard (Martin Sheen), Chef (Frederic Forrest), and Lance (Sam Bottoms) and three Playboy bunnies stranded during a U.S.O. tour, and a visit to a plantation run by French emigres De Marais (Christian Marquand) and Roxanne (Aurore Clement) -- don't add much to the film, and while it's fascinating to see the sequences after reading about them for years, the truth is that the film plays better without them (especially the latter, which manages to further muddy the already fuzzy character of Willard during his liaison with Roxanne). The film's pace has always been erratic following the Do Lung Bridge sequence, and if anything, the new version moves with even less grace or consistency. But the many smaller bits of business that have been restored through the rest of the film are welcome, and the new version allows Albert Hall as Chief several superb moments (particularly during the makeshift funeral for Clean, played by Larry Fishburne), reinforcing his character as the only soldier in the film who seems to take his duties seriously, while Martin Sheen and Frederic Forrest both deliver their best screen performances to date. And the newly restored Technicolor dye-transfer prints are simply dazzling to look at; cinematographer Vittorio Storaro's use of color and depth of field were always impressive, but they've never looked quite so amazing as they do in this version, which demands to be seen on a big screen. Apocalypse Now was a film that grew too big and tried too much for its own good, but the best moments were more than enough to make up for its flaws, and that's even more true of Apocalypse Now Redux -- at nearly three-and-a-half hours, it's an epic with a heart, a mind, and a soul, and even its failures are fascinating, while its successes make it one of the most interesting American films of the 1970s. ~ Mark Deming, All Movie Guide
 

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