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An Angel at My Table
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Directed by Jane Campion
New Zealand poet Janet Frame is the subject of Jane Campion's biographical drama, which presents a poetically evocative look at the authoress' turbulent life. The film begins with a look at Frame's childhood, showing her as a bright but odd-looking, emotionally fragile young girl with a knack for writing. Frame faces great difficulty in adapting to the conventional rural life around her, and her social awkwardness only worsens as she grows older. After she fails in her attempt to become a schoolteacher due to an intense panic attack, she is subject to a psychiatric evaluation and shamefully misdiagnosed as a schizophrenic. Frame is subsequently committed to a mental institution, where she suffers years of unnecessary shock treatments and other horrors. Her salvation comes through her writings, however, which attract the attention of a renowned author who arranges her release. While the nightmare of Frame's institutionalization is presented with great sensitivity and power, Campion and screenwriter Laura Jones, to their credit, refuse to simplify her story to this one pivotal event. Instead, they pay equal attention to Frame's subsequent life, as she slowly adjusts life in the outside world, experiencing literary success and her first romance. Expressive visuals add immeasurably to the total effect, while Kerry Fox's superb performance creates a truly affecting portrait of Frame. Impressively, the film was originally made as a mini-series for New Zealand television, and slightly reedited for a later theatrical release. ~ Judd Blaise, All Movie Guide
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Dana_KDana_K Early Campion Re: Top 5 Movies ...
by Dana_K in Filmspotting
"I'm not sure I've seen that ... maybe at a fest. But early Campion movies that are really worth looking at again today include Sweetie and An Angel at My Table. I'm not t " [More]
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Review by All Movie Guide
All Movie Guide
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Originally commissioned as a miniseries for New Zealand television, Jane Campion's sophomore directorial effort is a sprawling adaptation of the memoirs of author and poet Janet Frame, whose budding talents as a young writer were squelched by her community's -- and at times, even her own -- conviction that she be institutionalized. The film is as much a chronicle of one woman's changing emotional landscape as it is an expose of the sordid conditions of the country's psychiatric hospitals of the '50s, where Frame was left to languish until her writings attracted the attention of influential writers and editors. The perennially reliable character actress Kerry Fox established herself in the role of the adult Frame, and she delivers delicate, carefully modulated emotion beneath Frame's trademark shock of red hair. The film bears more than a passing resemblance to later "institutionalized genius" pictures (most notably 1996's Shine), but Campion avoids letting her subject become a mere martyr; there are incidents in which Frame exercises bad judgement, and her transition to the life of a successful, independent woman is a shaky, apprehensive one. As is common in Campion's films, however, the director seems to be outlining a larger social pathology behind her heroine's insecurity and pathos. Angel marked the beginning of the director's kinetic, distinctive work with cinematographer Stuart Dryburgh, who would also shoot The Piano and Portrait of a Lady. ~ Michael Hastings, All Movie Guide
 

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