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A Woman Under the Influence
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Directed by John Cassavetes
John Cassavetes' harrowing masterpiece charts the emotional meltdown of a suburban housewife and its effects on her blue-collar Italian family. Gena Rowlands stars as Mabel Longhetti, a mother of three whose husband Nick (Peter Falk) works as a construction worker; a mismatched couple like so many others in Cassavetes films, the Longhettis seem to be complete opposites: she's impetuous, extroverted, and fragile, while he's controlling, distant, and hard-bitten. Their differences underscore a series of domestic dramas, culminating in a nervous breakdown that sends Mabel to a psychiatric hospital for six months, only to return to a home environment on even thinner ice than before. The improvisational style central to Cassavetes' vision is at its most acute throughout A Woman Under the Influence. Like its title heroine, the film threatens to veer out of control at any time, its shape and scope defined not by narrative but by the emotional upheaval at its center. Embracing the full spectrum of the Longhettis' relationship, from seismic bursts of high drama to small, even trivial moments of domestic tedium, its long scenes relentlessly probe every nook and cranny of the family's life, drawing out each moment for maximum emotional impact; the film is by turns beautiful and ugly, illuminating and frustrating, and it features a performance by Rowlands as heartwrenching and unforgettable as any ever committed to celluloid. ~ Jason Ankeny, All Movie Guide
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paulpaul FilmCouch #44
by paul in paul on spout.com
loved it.
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"A few weeks back, listener DJP requested a show on spirituality, which coincides nicely with the Film + Faith blog-a-thon kicking off this week. As we thought about it, the spiritual is so broad and pervasive in movies it’s hard to know where to start. Somehow, Kevin and I sojourn on The Dareeling Li " [More]
SpoutBlogSpoutBlog FilmCouch #44
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"A few weeks back, listener DJP requested a show on spirituality, which coincides nicely with the Film + Faith blog-a-thon kicking off this week. As we thought about it, the spiritual is so broad and pervasive in movies it’s hard to know where to start. Somehow, Kevin and I sojourn on?? The Dareeling L " [More]
analogzombieanalogzombie Cassavetes primer
by analogzombie in analogzombie Blog
loved it.
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"Cassavetes is one of those directors you either love or hate. Much the same way people are totally polarized on the works of Tarantino, or the film Magnolia, Cassavetes has driven film fanatics to loathe him, critics to praise him, and general audiences to simultaneously revile and admire him. He can either open an entire world of film to you, or simply reinforce your preconceived " [More]
chesterfilmschesterfilms Influential
by chesterfilms in chesterfilms Blog
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"If Hitchcock's Rear Window, and Michael Powell's Peeping Tom are the quintessential voyeuristic films, than John Cassevettie's A Woman Under The Influence invites you in to it's home, and doesn't care what you see or if it makes you uncomfortable. The godfather of independent film, with his crew consisting of friends and family, A Woman Under The Influence feels more personal and uncompromising than anything I have ever seen. With his use of hand held c " [More]
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Review by All Movie Guide
All Movie Guide
loved it.
Though "women's liberation" was never mentioned, John Cassavetes's timely dissection of a wife's coming undone wrenchingly revealed the insolvable contradictions of domesticity. With his signature "improvisational" yet scripted style, Cassavetes used hand-held long takes, close-ups, and zooms to mine the minute details of character and emotion evinced by his wife Gena Rowlands and his frequent collaborator Peter Falk as blue-collar couple Mabel and Nick, registering the complex effects of Mabel's claustrophobic existence on her "unusual" psyche. Concentrating on Mabel's protean moods, as well as on the reactions of her family and her husband, Cassavetes shies away from a pat diagnosis of madness, suggesting that the institution of marriage -- even to a husband who loves her -- is as responsible for Mabel's breakdown as her own inner turmoil. Several years in the making and funded by Falk and Cassavetes to insure creative autonomy, A Woman Under the Influence debuted to acclaim at the 1974 New York Film Festival, particularly for Rowlands's tour-de-force performance. Distributed by Cassavetes himself to avoid studio interference, it became a small-scale hit and earned Oscar nominations for Best Actress and Best Director; despite his reputation as a male-centered filmmaker, it remains Cassavetes' most successful film, both commercially and artistically. ~ Lucia Bozzola, All Movie Guide
 

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