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A Wedding
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Directed by Robert Altman
Robert Altman's over-frenetic satire on American marriage rituals and hypocrisy concerns the upper-crust marriage between Dino Corelli (Desi Arnaz Jr.) and Muffin Brenner (Amy Stryker). As the film begins, a senile bishop forgets the lines to the wedding ceremony and Nettie Sloan (the groom's grandmother) drops dead in an upstairs bedroom. Nettie's death is not disclosed to the two families who converge at the wedding reception. As the two sets of in-laws slam into each other, the bride and groom disappear in the ensuing whirlwind of chaos as both extended families vie for sexual favors and try to keep hidden never-discussed family secrets. Regina Corelli (Nina Van Pallandt) is revealed to be a drug addict, while Luigi, is endeavoring unsuccessfully to keep his Mafia connections under wraps. Meanwhile, the bride's family, although more down to earth, are revealed to be no better. Tulip Brenner (Carol Burnett) begins to flirt with one of the wedding guests, Mackenzie Goddard (Pat McCormick), while Snooks Brenner (Paul Dooley) acts like a lout and drinks heavily. And flying around the edges of the action like Tinkerbell is Buffy Brenner, the Brenners' youngest daughter, who is pregnant by the groom. As other characters bang into each other -- sexual degenerates, hard-nosed radicals, raw-boned emotional wrecks -- the wedding reception heads for its inevitable nuclear explosion. ~ Paul Brenner, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Shot in sequence and in the director's typical improvisatory manner (and with a cast of characters that, in numbers, dwarfs even his own Nashville), Robert Altman's A Wedding is an uneven and ultimately unsatisfying satire by one of America's most idiosyncratic filmmakers. In the earlier Nashville, Altman was able to meld the many disparate story lines and characters into a film that was cohesive and delivered a devastating punch. He doesn't pull that off here, instead gathering together a bunch of people that certainly have a surface reason to be together but which don't really have a thematic connection -- other than the thin, unexplored idea of "exposing" the hypocrisy attendant in such social situations. Without any kind of real narrative glue, A Wedding comes across as merely a series of vignettes, although some of them are tremendously entertaining. There are enough of the visual and aural Altman signatures to keep film students on their toes; the writers and cast have certainly come up with a number of memorable lines and moments; and, as in most Altman group extravaganzas, the cast knows how to deliver the goods. As a result, there's enough to keep A Wedding chugging along nicely for the first hour or so, but it starts to run out of gas even before the disappointing climax. ~ Craig Butler, All Movie Guide
 

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