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A Rage in Harlem
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Directed by Bill Duke
Bill Duke directs this quirky film adaptation of Chester Himes' crime novel -- a heavily plotted gangster tale with a sweet love story hidden underneath. The film begins in Natchez, Mississippi in 1956. During a police shoot-out with the mob leader Slim's (Badja Djola) gang, Slim's moll Imabelle (Robin Givens) takes off with a cadre of stolen gold. As a result, Imabelle is chased by Slim's mob from Mississippi to New York. By the time she reaches Harlem, she is broke and has to figure out a way to ditch the trunk full of gold. She finds herself at the annual Undertaker's Ball, where she sees the big and dumb Jackson (Forest Whitaker), a bumbling undertaker's assistant. She spots Jackson as a mark that she can use as a cover and latches onto him immediately. She moves in with him to hide out, but Imabelle becomes taken with his innocence. For his part, Jackson falls head over heels in love with her. But the Mississippi mob catches up with her and takes her away. Jackson calls in his street-wise brother Goldy (Gregory Hines) to help him rescue Imabelle. Jackson fears that Imabelle has been kidnapped. But Goldy knows better -- he still agrees to help him but Goldy wants the gold for himself. ~ Paul Brenner, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
From its tense but amusing opening scene, in which a vicious black gangster has his henchman cut a huge mole off the nose of a double-crossing racist crime lord, director Bill Duke's A Rage in Harlem forgoes good taste in the name of exuberant entertainment. Forest Whitaker, who had worked primarily in more dramatic roles at the time, gives a genuinely hilarious performance as Jackson, the shy, naïve mortuary worker. Robin Givens vamps impressively as the pragmatic Imabelle, who flees Natchez and her boyfriend, Slim (the impressively menacing Badja Djola), with a trunk full of stolen gold. Danny Glover is also impressive as the soft-spoken but ruthless kingpin Easy Money. Duke elicits pitch-perfect performances from his cast. Jackson, Imabelle, and the rest of the characters teeter on the brink of cartoonishness, but these actors make them believable enough to lend their story surprising emotional weight. Author Chester Himes' work had previously been brought to the screen in Ossie Davis' Cotton Comes to Harlem, an enjoyable film from the blaxploitation era. Eddie Murphy had mined similar territory in his Harlem Nights, a creative and financial failure. But Duke's noteworthy feature debut, which competed for the Palme d'Or at the 1991 Cannes Film Festival, succeeds at capturing the irreverent tone of Himes' novel, and creates a memorable vision of Harlem in the 1950s. ~ Josh Ralske, All Movie Guide
 

Community ratings

mavens
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are neutral about it.
most people
Most people
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Other opinions

Schloofy
Schloofy
loved it.
Marlowe
Marlowe
is neutral about it.
rik_tod
rik_tod
is neutral about it.
CassieAnnette
CassieAnnette
is not interested.