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A Mighty Wind
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Directed by Christopher Guest
The writing and directing team who created Waiting for Guffman and Best in Show turn their satiric eye toward the world of folk music in this sly mockumentary. Irving Steinbloom was one of the great behind-the-scenes figures of the folk music boom of the late '50s and early '60s, and helped to nurture the careers of three of the best known acts of the era. The Folksmen -- Mark Shubb (Harry Shearer), Alan Barrows (Christopher Guest), and Jerry Palter (Michael McKean) -- were an earnest folk trio who sang of America's noble past and the challenges of the future; they split up in the early '70s after a failed attempt to go electric. Mitch & Mickey were a duo in both music and life, comprised of Mitch Cohen (Eugene Levy) and Mickey Devlin (Catherine O'Hara). They sang soulful songs of love until the collapse of their relationship sent Mitch into a deep and incapacitating depression. And The Main Street Singers were a nine-piece vocal group -- a "neuftet," as they prefer it -- who offered energetic good-time music, cranking out nearly 30 albums in the course of a decade; their current incarnation, The New Main Street Singers (played by Jane Lynch, Parker Posey, John Michael Higgins, David Alan Blasucci, Steve Pandis, Christopher Moynihan, Paul Dooley and Patrick Sauber) is still on the road. When it is announced that the legendary Irving Steinbloom has died (the character never appears in the film), his son Jonathan (Bob Balaban) decides that the best way to memorialize his father is through music, and with the help of Mike LaFontaine (Fred Willard) of Hi-Class Management, they set out to bring The Folksmen, Mitch & Mickey, and The New Main Street Singers back together for a special concert at New York's Town Hall. Christopher Guest, Michael McKean, and Harry Shearer -- who previously teamed up for This Is Spinal Tap -- not only perform together as The Folksmen in A Mighty Wind, but composed most of the songs performed onscreen. ~ Mark Deming, All Movie Guide
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"We can thank Christopher Guest for pulling her out of obscurity and casting her as a lesbian dog trainer in Best in Show. Or we can just thank her incredible talent for s " [More]
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"I always enjoy Waiting for Guffman, Best in Show and A Mighty Wind on a variety of levels. First, there’s the watching of a batch of actors who truly know where their towels are to " [More]
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"Folk music between the eras marked by the giants Woody Guthrie and Bob Dylan mostly sucked. It is among the biggest ironies of music that the most liberal musical artists in America recorded lightweight, unplugged songs that bore little resemblence to the root music they were supposedly paying homage to. This era is the subject of A Mighty Wind, another one of Christopher Guest's mockumentaries, in the vein of This Is Spinal Tap. Unlike that comic m " [More]
chrismorrellchrismorrell Guest in Show
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"'Waiting for Guffman'... the Chris Guest film that i had unaccountably missed seeing up to now , unaccountably, because i AM one of those people who can quote, endlessly from 'This Is Spinal Tap'.. and , of course i love 'Best in Show' and [More]
MsMaxwellMsMaxwell Why not?
by MsMaxwell in Movies we do not want to see
"Who doesn't want to see this? Why? It's not violent. It IS stupid, but in a creative way. (And I certainly enjoyed myself while I was watching it.) " [More]
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Review by All Movie Guide
All Movie Guide
is neutral about it.
If you've gotten an A+ more than once, no one ever seems to be entirely satisfied when your report card says A-, and that's the biggest bugaboo in reviewing A Mighty Wind. While it's a clever and thoroughly enjoyable comedy on its own terms, knowing that A Mighty Wind comes from the same creative team which made Waiting for Guffman and Best in Show sets up some unusually high expectations, and when one makes the inevitable comparisons, A Mighty Wind falls short. The film's biggest failing is that while much of the same superb comic cast from those two films is on hand this time out (and Harry Shearer is on board as Spinal Tap go undercover as the Folksmen), many of them simply aren't given enough to do, especially Parker Posey, Don Lake, and Michael Hitchcock, while Fred Willard, Larry Miller, and Jennifer Coolidge are saddled with roles that are simply beneath their abilities. While Guffman and Best in Show both had great moments where characters were able to strongly, clearly, and hilariously define their characters in a few brief moments, A Mighty Wind has more than its share of players who have funny shtick but not much of a persona to go along with it, and the film suffers for it. However, the moments that do work compensate for the flaws, and many of the film's best moments come in unexpected places. The songs brilliantly walk a line between sincere tribute and vicious parody of early-'60s folk tunes (especially "Old Joe's Place" and "Never Did No Wanderin'"), and Eugene Levy and Catherine O'Hara are not only hilarious but unexpectedly moving as a divorced couple forced to deal with a lot of old baggage as they prepare for their reunion gig; would that every film about divorce could be as insightful. If -- to belabor the academic metaphor -- A Mighty Wind isn't the magna cum laude candidate you likely expect from Christopher Guest after his previous two directorial efforts, it's still strong enough to make the dean's list, and suggests Guest and his repertory company may have a few more surprises in store for their next effort. ~ Mark Deming, All Movie Guide
 

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